Textile — Unknown, ca. 1818

Textile, Unknown

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Rights

Credit: Given by Mrs. Frederic Saltonstall Gould
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1940-79-1-a (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/72930

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1818

2109

Dish, Sèvres Porcelain Manufactory, French, established 1756 — DishSèvres Porcelain Manufactory, French, established 17561768Cooper Hewitt, Smithsonian Design Museum

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Dish (One of Four), Sèvres Porcelain Manufactory, French, established 1756 — Dish (One of Four)Sèvres Porcelain Manufactory, French, established 1756ca. 1768Cooper Hewitt, Smithsonian Design Museum

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Also at Cooper Hewitt, Smithsonian Design Museum

3580

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Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

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Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Apotheosis of Franklin, Unknown — Apotheosis of FranklinUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum

0.92

Textile, Unknown — TextileUnknown18th centuryCooper Hewitt, Smithsonian Design Museum

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Textile, Unknown — TextileUnknownca. 1817Cooper Hewitt, Smithsonian Design Museum

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Textile, Unknown — TextileUnknown19th centuryCooper Hewitt, Smithsonian Design Museum

0.91

Textile, Unknown — TextileUnknown1800–1850Cooper Hewitt, Smithsonian Design Museum

0.90

Mademoiselle de Lavalliere, Unknown — Mademoiselle de LavalliereUnknownca. 1825Cooper Hewitt, Smithsonian Design Museum

0.90

Louis XVI restaurateur de la liberté, Jean-Baptiste Huet, French, 1745 – 1811 — Louis XVI restaurateur de la libertéJean-Baptiste Huet, French, 1745 – 18111790–1791Cooper Hewitt, Smithsonian Design Museum

0.90

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0.89

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Made in the nineteenth century, like Textile.

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