Portraits of Theatrical Performers — Unknown, ca. 1781

Portraits of Theatrical Performers, Unknown

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Credit: Cooper Hewitt, Smithsonian Design Museum
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1908-11-1 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/15819

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1781

2239

The Triumph of Mordecai, Jean François de Troy — The Triumph of MordecaiJean François de Troyca. 1736Metropolitan Museum of Art, New York, NY

Study for Noah's Ark, Plate 40, Physica Sacra, Johann Melchior Füssli, Swiss, 1677–1736 — Study for Noah's Ark, Plate 40, Physica SacraJohann Melchior Füssli, Swiss, 1677–1736before 1731Cooper Hewitt, Smithsonian Design Museum

The Investigation of the Rainbow, design for plate 66 in the Physica Sacra, vol. 1, by Johann Jakob Scheuchzer, Johann Melchior Füssli, Swiss, 1677–1736 — The Investigation of the Rainbow, design for plate 66 in the Physica Sacra, vol. 1, by Johann Jakob ScheuchzerJohann Melchior Füssli, Swiss, 1677–1736before 1731Cooper Hewitt, Smithsonian Design Museum

Drawing, Johann Melchior Füssli, Swiss, 1677–1736 — DrawingJohann Melchior Füssli, Swiss, 1677–1736before 1731Cooper Hewitt, Smithsonian Design Museum

Drawing, Johann Melchior Füssli, Swiss, 1677–1736 — DrawingJohann Melchior Füssli, Swiss, 1677–1736before 1731Cooper Hewitt, Smithsonian Design Museum

LAO GINE ou Vieillard Chinois, Antoine Watteau, French, 1684–1721 — LAO GINE ou Vieillard ChinoisAntoine Watteau, French, 1684–17211731Cooper Hewitt, Smithsonian Design Museum

I GENG ou Medecin Chinois, Antoine Watteau, French, 1684–1721 — I GENG ou Medecin ChinoisAntoine Watteau, French, 1684–17211731Cooper Hewitt, Smithsonian Design Museum

Femme du Royaume de Necpal, Antoine Watteau, French, 1684–1721 — Femme du Royaume de NecpalAntoine Watteau, French, 1684–17211731Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

3271

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Title Page, Jean-Bernard Turreau, French, 1672 - 1731 — Title PageJean-Bernard Turreau, French, 1672 - 1731early 18th centuryCooper Hewitt, Smithsonian Design Museum

0.88

Title Page, Borch, active mid 18th century — Title PageBorch, active mid 18th century1729–68Cooper Hewitt, Smithsonian Design Museum

0.88

Panel Design of Grotesque Ornamentation, Jean Berain, the elder, French, 1640-1711 — Panel Design of Grotesque OrnamentationJean Berain, the elder, French, 1640-17111711Cooper Hewitt, Smithsonian Design Museum

0.87

Sigfid and Kriemnild, Gestochen Gonzenbach — Sigfid and KriemnildGestochen GonzenbachCooper Hewitt, Smithsonian Design Museum

0.87

Panel Design of Grotesque Ornamentation, Jean Berain, the elder, French, 1640-1711 — Panel Design of Grotesque OrnamentationJean Berain, the elder, French, 1640-17111711Cooper Hewitt, Smithsonian Design Museum

0.87

Design for the Letter I of a Pictoral Alphabet: Idolatry, Victor Vincent Adam, French, 1801 – 1866 — Design for the Letter I of a Pictoral Alphabet: IdolatryVictor Vincent Adam, French, 1801 – 1866ca. 1830Cooper Hewitt, Smithsonian Design Museum

0.87

L'oeuvre (Works), Jean François Forty, active 1775 – 1790 — L'oeuvre (Works)Jean François Forty, active 1775 – 1790ca. 1780Cooper Hewitt, Smithsonian Design Museum

0.87

Design for an Andiron, Jean François Forty, active 1775 – 1790 — Design for an AndironJean François Forty, active 1775 – 1790ca. 1780Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Made in the eighteenth century, like Portraits of Theatrical Performers.

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

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