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Rights Credit Henrietta and Christopher McCall Collection, Purchase, Henrie Jo Barth Bequest, and Museum Acquisitions and Josephine Lois Berger-Nadler Endowment Funds, 2023 Licence CC0-1.0 Evidence metmuseum.org collection api v1: isPublicDomain=true on object 891631 (read 2026-09-01) Record https://www.metmuseum.org/art/collection/search/891631 Close Nineveh and Persia No. 1, plate XII from The Grammar of Ornament, 3rd edn. — Owen Jones 1868
Also by Owen Jones 6 The grammar of ornament Owen Jones1856 Metropolitan Museum of Art, New York, NY Examples of Chinese ornament selected from objects in the South Kensington Museum and other collections Owen Jones1867 Metropolitan Museum of Art, New York, NY The grammar of ornament Owen Jones1868 Metropolitan Museum of Art, New York, NY Nineveh and Persia No. 2, plate XIII from The Grammar of Ornament, 3rd edn. Owen Jones1868 Metropolitan Museum of Art, New York, NY Italian Owen Jonesca. 1873 Metropolitan Museum of Art, New York, NY Curtain of "Sultan" textile Owen Jones1870–74 Metropolitan Museum of Art, New York, NY
Within fifty years of 1868 4271 Seated Giant Goya (Francisco de Goya y Lucientes)by 1818 (possibly 1814–18) Metropolitan Museum of Art, New York, NY Head of a Guillotined Man Jean Louis André Théodore Géricault1818–19 The Art Institute of Chicago Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed Joseph Mallord William Turner1818 Yale Center for British Art Letter from George Troup regarding the Prince Regent and Brighton Pavilion George IV, King of England, English, 1762 – 18301818 Cooper Hewitt, Smithsonian Design Museum Letter from John Nash to Frederick Crace regarding Brighton Pavilion John Nash, 1752 – 18351818 Cooper Hewitt, Smithsonian Design Museum Sampler Mary Beacon, American1818 Cooper Hewitt, Smithsonian Design Museum Memorial Wool Embroidery Design "Meinem Theuren Vater" and "Meiner Theuren Mater" F. Ebner, German, 1800 – 18251818 Cooper Hewitt, Smithsonian Design Museum Textile Unknownca. 1818 Cooper Hewitt, Smithsonian Design Museum
Also at Metropolitan Museum of Art, New York, NY 493 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY Add a connection Propose a reading
Next Made in the nineteenth century, like Nineveh and Persia No. 1, plate XII from The Grammar of Ornament, 3rd edn..
