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Curtain of "Sultan" textile — Owen Jones1870–74Also by Owen Jones
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The grammar of ornamentOwen Jones1856Metropolitan Museum of Art, New York, NY
Examples of Chinese ornament selected from objects in the South Kensington Museum and other collectionsOwen Jones1867Metropolitan Museum of Art, New York, NY
The grammar of ornamentOwen Jones1868Metropolitan Museum of Art, New York, NY
Nineveh and Persia No. 1, plate XII from The Grammar of Ornament, 3rd edn.Owen Jones1868Metropolitan Museum of Art, New York, NY
Nineveh and Persia No. 2, plate XIII from The Grammar of Ornament, 3rd edn.Owen Jones1868Metropolitan Museum of Art, New York, NY
ItalianOwen Jonesca. 1873Metropolitan Museum of Art, New York, NYWithin fifty years of 1870–74
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A German Princess and a Young Noblewoman of the Year 1500Josef Trentsenskyc. 1825The Art Institute of Chicago
Tiburcio Pérez y Cuervo (1785/86–1841), the ArchitectGoya (Francisco de Goya y Lucientes)1820Metropolitan Museum of Art, New York, NY
The Death of Leonardo da VinciJoseph Théodore Richommeca. 1825Metropolitan Museum of Art, New York, NY
Kutani-Style Sweets TrayJapanc. 1825The Art Institute of Chicago
DrawingFelice Giani, Italian, 1758–1823C.1820Cooper Hewitt, Smithsonian Design Museum
The Death of ArchimedesFelice Giani, Italian, 1758–1823ca. 1820Cooper Hewitt, Smithsonian Design Museum
The Prelate and Stool-Bearers and Women near Them in "Expulsion of Heliodorus" after Raphael SanzioFelice Giani, Italian, 1758–1823ca. 1820Cooper Hewitt, Smithsonian Design Museum
Cartoons of Death of Ananias and St. Paul, after RaphaelFelice Giani, Italian, 1758–1823ca. 1820Cooper Hewitt, Smithsonian Design MuseumAlso at Metropolitan Museum of Art, New York, NY
498
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NYSimilar picturesFound by visual likeness
8 picturesVisual resemblances suggested by the model. A match does not establish a shared subject or historical connection.
SnakesheadWilliam MorrisDesign 1876, made 1925–40The Art Institute of Chicago0.93
SnakesheadWilliam Morris (British, 1834–1896)Early 20th centuryCleveland Museum of Art0.91
ChesterfieldScalamandré, New York, New York, USA, founded 19291865Cooper Hewitt, Smithsonian Design Museum0.91
SidewallMaxwell & Co., S.A., Chicago, Illinois, USA1905–1915Cooper Hewitt, Smithsonian Design Museum0.91
TextileUnknown19th centuryCooper Hewitt, Smithsonian Design Museum0.90
Tulip and RoseWilliam MorrisDesign 1876The Art Institute of Chicago0.89
TextileUnknown1815–25Cooper Hewitt, Smithsonian Design Museum0.89
SidewallUnknown1905–1915Cooper Hewitt, Smithsonian Design Museum0.89
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Made in the nineteenth century, like Curtain of "Sultan" textile.