Seiei: A Design Book 精英, Yamada Naosaburō 山田直三郎

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Horses, Flowers, Angels

Means

No reading yet.


Rights

Credit
Purchase, Mary and James G. Wallach Foundation Gift, 2013
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 78785 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/78785
Seiei: A Design Book 精英, Yamada Naosaburō 山田直三郎
Seiei: A Design Book 精英 — Yamada Naosaburō 山田直三郎1907

Within fifty years of 1907

3373
The Fortune Teller, William Morris Hunt
The Fortune TellerWilliam Morris Hunt1857The Art Institute of Chicago
Six Jewel Rivers from Various Provinces, Utagawa Hiroshige
Six Jewel Rivers from Various ProvincesUtagawa Hiroshige1857Metropolitan Museum of Art, New York, NY
Sudden Shower over Shin-Ōhashi Bridge and Atake (Ōhashi Atake no yūdachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), Utagawa Hiroshige
Sudden Shower over Shin-Ōhashi Bridge and Atake (Ōhashi Atake no yūdachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)Utagawa Hiroshige1857Metropolitan Museum of Art, New York, NY
Illustration for a French fashion magazine, Hélöise Leloir
Illustration for a French fashion magazineHélöise Leloirca. 1862Metropolitan Museum of Art, New York, NY
The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo, Utagawa Hiroshige (Japanese, 1797–1858)
The Moon-Viewing Promontory, from One Hundred Views of Famous Places in EdoUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art
Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of Edo, Utagawa Hiroshige (Japanese, 1797–1858)
Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of EdoUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art
Eight Views of Kanazawa at Night, Utagawa Hiroshige (Japanese, 1797–1858)
Eight Views of Kanazawa at NightUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art
Full Moon on Kanazawa, Musashi, Utagawa Hiroshige (Japanese, 1797–1858)
Full Moon on Kanazawa, MusashiUtagawa Hiroshige (Japanese, 1797–1858)1857Cleveland Museum of Art

Also at Metropolitan Museum of Art, New York, NY

575
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818
Floral design for printed textilesLouis-Albert DuBois, Swiss, 1752–18181800–1818Cooper Hewitt, Smithsonian Design Museum
0.86
Memorial Wool Embroidery Design "Meinem Theuren Vater" and "Meiner Theuren Mater", F. Ebner, German, 1800 – 1825
Memorial Wool Embroidery Design "Meinem Theuren Vater" and "Meiner Theuren Mater"F. Ebner, German, 1800 – 18251818Cooper Hewitt, Smithsonian Design Museum
0.84
The Extra Ration, Winslow Homer, American, 1836–1910
The Extra RationWinslow Homer, American, 1836–19101862Cooper Hewitt, Smithsonian Design Museum
0.84
Drawing, Louis-Albert DuBois, Swiss, 1752–1818
DrawingLouis-Albert DuBois, Swiss, 1752–1818ca. 1801Cooper Hewitt, Smithsonian Design Museum
0.84
Design for stained glass, Alice Cordelia Morse, American, 1863–1961
Design for stained glassAlice Cordelia Morse, American, 1863–1961late 19th centuryCooper Hewitt, Smithsonian Design Museum
0.84
Plate 11 from Cahier d ornements et frises dessinés (Book of Ornaments and Friezes), Henri Sallembier, French, ca. 1753 - 1820
Plate 11 from Cahier d ornements et frises dessinés (Book of Ornaments and Friezes)Henri Sallembier, French, ca. 1753 - 18201777Cooper Hewitt, Smithsonian Design Museum
0.84
Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818
Floral design for printed textilesLouis-Albert DuBois, Swiss, 1752–18181800–1818Cooper Hewitt, Smithsonian Design Museum
0.84
Printed Textile Design, Louis-Albert DuBois, Swiss, 1752–1818
Printed Textile DesignLouis-Albert DuBois, Swiss, 1752–1818ca. 1801Cooper Hewitt, Smithsonian Design Museum
0.84

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