Odalisque in Grisaille — Jean Auguste Dominique Ingres, ca. 1824–34

Odalisque in Grisaille, Jean Auguste Dominique Ingres

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Female Nudes, Orientalist
Wikidata depicts: nude, odalisque, Orientalist painting

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Rights

Credit: Catharine Lorillard Wolfe Collection, Wolfe Fund, 1938
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 436708 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/436708

Also by Jean Auguste Dominique Ingres

15

View of Saint Peter's in Rome, Jean Auguste Dominique Ingres — View of Saint Peter's in RomeJean Auguste Dominique Ingresn.d.The Art Institute of Chicago

Joseph-Antoine Moltedo (born 1775), Jean Auguste Dominique Ingres — Joseph-Antoine Moltedo (born 1775)Jean Auguste Dominique Ingresca. 1810Metropolitan Museum of Art, New York, NY

Charles François Mallet, Civil Engineer, Jean Auguste Dominique Ingres — Charles François Mallet, Civil EngineerJean Auguste Dominique Ingres1809The Art Institute of Chicago

Sheet of Studies with the Head of the Fornarina and Hands of Madame de Senonnes, Jean Auguste Dominique Ingres — Sheet of Studies with the Head of the Fornarina and Hands of Madame de SenonnesJean Auguste Dominique Ingres1814/16The Art Institute of Chicago

The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine), Jean Auguste Dominique Ingres — The Kaunitz Sisters (Leopoldine, Caroline, and Ferdinandine)Jean Auguste Dominique Ingres1818Metropolitan Museum of Art, New York, NY

Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839), Jean Auguste Dominique Ingres — Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839)Jean Auguste Dominique Ingres1823Metropolitan Museum of Art, New York, NY

Amédée-David, the Comte de Pastoret, Jean Auguste Dominique Ingres — Amédée-David, the Comte de PastoretJean Auguste Dominique Ingres1823–26The Art Institute of Chicago

Charles X in his Coronation Robes, Jean Auguste Dominique Ingres — Charles X in his Coronation RobesJean Auguste Dominique Ingresc. 1828The Art Institute of Chicago

Within fifty years of ca. 1824–34

3250

Pair of five-light candelabra, Luigi Valadier — Pair of five-light candelabraLuigi Valadier1774Metropolitan Museum of Art, New York, NY

Tomb with Sphinxes and an Owl, Louis Jean Desprez (French, 1743–1804) — Tomb with Sphinxes and an OwlLouis Jean Desprez (French, 1743–1804)c. 1779–84Cleveland Museum of Art

Title Page, Jean-Baptiste Pillement, French, 1728–1808 — Title PageJean-Baptiste Pillement, French, 1728–18081774Cooper Hewitt, Smithsonian Design Museum

Bonad, Unknown — BonadUnknown1774–1825Cooper Hewitt, Smithsonian Design Museum

Drawing, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — DrawingMichel Angelo Pergolesi, Italian, active ca. 1760–1801Before 1774Cooper Hewitt, Smithsonian Design Museum

Drawing, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — DrawingMichel Angelo Pergolesi, Italian, active ca. 1760–1801Before 1774Cooper Hewitt, Smithsonian Design Museum

Album of Prints: Second Series of the Oeuvre of Juste-François Boucher, known as Boucher fils, Juste-François Boucher, French, 1736 – 1782 — Album of Prints: Second Series of the Oeuvre of Juste-François Boucher, known as Boucher filsJuste-François Boucher, French, 1736 – 17821774Cooper Hewitt, Smithsonian Design Museum

Ono no Komachi Washing the Copybook (Soshiarai Komachi), from the series The Seven Ukiyo-e Aspects of Komachi (Ukiyo-e nana Komachi), Torii Kiyonaga — Ono no Komachi Washing the Copybook (Soshiarai Komachi), from the series The Seven Ukiyo-e Aspects of Komachi (Ukiyo-e nana Komachi)Torii KiyonagaEdo period (1615–1868), about 1779The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

536

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

7 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Reclining Nude, Pierre-Victor Galland, Swiss, active France, 1822 - 1892 — Reclining NudePierre-Victor Galland, Swiss, active France, 1822 - 1892late 19th centuryCooper Hewitt, Smithsonian Design Museum

0.90

Drawing, Pierre-Victor Galland, Swiss, active France, 1822 - 1892 — DrawingPierre-Victor Galland, Swiss, active France, 1822 - 1892late 19th centuryCooper Hewitt, Smithsonian Design Museum

0.86

Woman with a Parrot, Gustave Courbet — Woman with a ParrotGustave Courbet1866Metropolitan Museum of Art, New York, NY

0.84

Study of Sculpture of Reclining Male Nude, Kenyon Cox, American, 1856–1919 — Study of Sculpture of Reclining Male NudeKenyon Cox, American, 1856–19191880–84Cooper Hewitt, Smithsonian Design Museum

0.84

Venus Reclining in a Landscape, Giulio Campagnola (Italian, 1482–1515) — Venus Reclining in a LandscapeGiulio Campagnola (Italian, 1482–1515)c. 1508–9Cleveland Museum of Art

0.83

Crouching Woman, Eugène Delacroix — Crouching WomanEugène Delacroix1827The Art Institute of Chicago

0.83

Study of a Female Nude, Henri Lehmann — Study of a Female NudeHenri Lehmann1840Metropolitan Museum of Art, New York, NY

0.83

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Jean Auguste Dominique Ingres made Odalisque in Grisaille, and made these too.

Made in the nineteenth century, like Odalisque in Grisaille.

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