Theatrical Mendicants Relieved - have Pity upon all our Aches and Wants! — James Gillray, 1824–27

Theatrical Mendicants Relieved - have Pity upon all our Aches and Wants!, James Gillray

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Satire, Theatre, Men, Women, Fire, Caricature
Wikidata depicts: woman, fire, man, theatre, satire, caricature

Means

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Rights

Credit: Harris Brisbane Dick Fund, 1917
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 391841 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/391841

Also by James Gillray

1

A Cockney & his Wife going to Wycombe, James Gillray — A Cockney & his Wife going to WycombeJames Gillray1824–27Metropolitan Museum of Art, New York, NY

Within fifty years of 1824–27

3264

Pair of five-light candelabra, Luigi Valadier — Pair of five-light candelabraLuigi Valadier1774Metropolitan Museum of Art, New York, NY

Tomb with Sphinxes and an Owl, Louis Jean Desprez (French, 1743–1804) — Tomb with Sphinxes and an OwlLouis Jean Desprez (French, 1743–1804)c. 1779–84Cleveland Museum of Art

Title Page, Jean-Baptiste Pillement, French, 1728–1808 — Title PageJean-Baptiste Pillement, French, 1728–18081774Cooper Hewitt, Smithsonian Design Museum

Bonad, Unknown — BonadUnknown1774–1825Cooper Hewitt, Smithsonian Design Museum

Drawing, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — DrawingMichel Angelo Pergolesi, Italian, active ca. 1760–1801Before 1774Cooper Hewitt, Smithsonian Design Museum

Drawing, Michel Angelo Pergolesi, Italian, active ca. 1760–1801 — DrawingMichel Angelo Pergolesi, Italian, active ca. 1760–1801Before 1774Cooper Hewitt, Smithsonian Design Museum

Album of Prints: Second Series of the Oeuvre of Juste-François Boucher, known as Boucher fils, Juste-François Boucher, French, 1736 – 1782 — Album of Prints: Second Series of the Oeuvre of Juste-François Boucher, known as Boucher filsJuste-François Boucher, French, 1736 – 17821774Cooper Hewitt, Smithsonian Design Museum

Ono no Komachi Washing the Copybook (Soshiarai Komachi), from the series The Seven Ukiyo-e Aspects of Komachi (Ukiyo-e nana Komachi), Torii Kiyonaga — Ono no Komachi Washing the Copybook (Soshiarai Komachi), from the series The Seven Ukiyo-e Aspects of Komachi (Ukiyo-e nana Komachi)Torii KiyonagaEdo period (1615–1868), about 1779The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

536

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

5 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Title Page, Jean Le Pautre, French, 1618–1682 — Title PageJean Le Pautre, French, 1618–16821654Cooper Hewitt, Smithsonian Design Museum

0.84

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

0.84

L'arrivée des Lettres et des Gournaux, Gihaut Frères, French, 1815 - 1871 — L'arrivée des Lettres et des GournauxGihaut Frères, French, 1815 - 1871ca. 1830Cooper Hewitt, Smithsonian Design Museum

0.83

Fashion illustration, no. 2224, Jules David — Fashion illustration, no. 2224Jules DavidJuly 1885Metropolitan Museum of Art, New York, NY

0.83

Jane Shore, Eugène Delacroix — Jane ShoreEugène Delacroix1828The Art Institute of Chicago

0.83

Next

Made in the nineteenth century, like Theatrical Mendicants Relieved - have Pity upon all our Aches and Wants!.

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