Dancers Practicing at the Barre — Edgar Degas1877Also by Edgar Degas
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Self-Portrait (Edgar Degas, par lui-même)Edgar Degas1857National Gallery of Art
The Engraver Joseph Tourny (Le graveur Joseph Tourny)Edgar Degas1857 (third printing)National Gallery of Art
A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)Edgar Degas1865Metropolitan Museum of Art, New York, NY
The Collector of PrintsEdgar Degas1866Metropolitan Museum of Art, New York, NY
SulkingEdgar Degasca. 1870Metropolitan Museum of Art, New York, NY
The Dancing ClassEdgar Degasca. 1870Metropolitan Museum of Art, New York, NY
The Rehearsal of the Ballet OnstageEdgar Degasca. 1874Metropolitan Museum of Art, New York, NY
The RacesEdgar Degas1871-1872National Gallery of ArtWithin fifty years of 1877
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Water color; Performers of a Commedia dell'ArteSaverio della Gatta, Italian, 1777 - 18291827Cooper Hewitt, Smithsonian Design Museum
Pair of Sinumbra LampsCornelius and Companyc. 1827–31The Art Institute of Chicago
The New Parliament Pudding or John Bull's TreatAnonymous, British, 19th centuryca. 1832Metropolitan Museum of Art, New York, NY
Design for a Cruet StandJoseph Anton Seethaler II, German, 1799–1868ca. 1827–35Cooper Hewitt, Smithsonian Design Museum
CurrantsUnknownOctober 2, 1827Cooper Hewitt, Smithsonian Design Museum
Friezes, Panels and OrnamGottfried Engelmann, 1788 – 18391827Cooper Hewitt, Smithsonian Design Museum
Lafayette Theater, New YorkJames Eddy1827Cooper Hewitt, Smithsonian Design Museum
Design for a Park ColonnadeJosef Georg Kornhäusel, Austrian, 1782 - 1860ca. 1827Cooper Hewitt, Smithsonian Design MuseumAlso at Metropolitan Museum of Art, New York, NY
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Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY
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Edgar Degas made Dancers Practicing at the Barre, and made these too.
Made in the nineteenth century, like Dancers Practicing at the Barre.