Reine de Joie — Henri de Toulouse-Lautrec, 1892

Reine de Joie, Henri de Toulouse-Lautrec

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Men, Women

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Credit: Alfred Stieglitz Collection, 1949
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 394284 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/394284

Also by Henri de Toulouse-Lautrec

37

Les Rois Mages, Henri de Toulouse-Lautrec — Les Rois MagesHenri de Toulouse-LautrecMetropolitan Museum of Art, New York, NY

A Saint-Lazare par Aristide Bruant, Henri de Toulouse-Lautrec — A Saint-Lazare par Aristide BruantHenri de Toulouse-LautrecMetropolitan Museum of Art, New York, NY

Ballet Dancers, Henri de Toulouse-Lautrec — Ballet DancersHenri de Toulouse-Lautrec1885–86The Art Institute of Chicago

Portrait of Jeanne Wenz, Henri de Toulouse-Lautrec — Portrait of Jeanne WenzHenri de Toulouse-Lautrec1886The Art Institute of Chicago

Equestrienne (At the Cirque Fernando), Henri de Toulouse-Lautrec — Equestrienne (At the Cirque Fernando)Henri de Toulouse-Lautrec1887–88The Art Institute of Chicago

Albert (René) Grenier (1858–1925), Henri de Toulouse-Lautrec — Albert (René) Grenier (1858–1925)Henri de Toulouse-Lautrec1887Metropolitan Museum of Art, New York, NY

Moulin de la Galette, Henri de Toulouse-Lautrec — Moulin de la GaletteHenri de Toulouse-Lautrec1889The Art Institute of Chicago

Woman in the Garden of Monsieur Forest, Henri de Toulouse-Lautrec — Woman in the Garden of Monsieur ForestHenri de Toulouse-Lautrec1889–91Metropolitan Museum of Art, New York, NY

Within fifty years of 1892

3775

Shirasuka: Shiomi Slope,no. 33 from the series Fifty-Three Stations of the Tokaido (Tōkaidō gojūsan tsugi), Utagawa Hiroshige — Shirasuka: Shiomi Slope,no. 33 from the series Fifty-Three Stations of the Tokaido (Tōkaidō gojūsan tsugi)Utagawa Hiroshige1847-52The Art Institute of Chicago

Friendship Quilt, Ella Maria Deacon — Friendship QuiltElla Maria Deacon1842The Art Institute of Chicago

Drawing Room, Unknown, English — Drawing RoomUnknown, Englishca. 1842Cooper Hewitt, Smithsonian Design Museum

Sampler, Unknown — SamplerUnknown1842Cooper Hewitt, Smithsonian Design Museum

Study of Hands, Jean-Auguste-Dominique Ingres (French, 1780–1867) — Study of HandsJean-Auguste-Dominique Ingres (French, 1780–1867)1842Cleveland Museum of Art

The Abandonment of Ariadne, Honoré Daumier (French, 1808–1879); Aubert — The Abandonment of AriadneHonoré Daumier (French, 1808–1879); Aubert1842Cleveland Museum of Art

A skeleton leaning on a spade. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543., Andreas Vesalius; John Tinney — A skeleton leaning on a spade. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection

An écorché figure seen from the front. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543., Andreas Vesalius; John Tinney — An écorché figure seen from the front. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection

Also at Metropolitan Museum of Art, New York, NY

538

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

1 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Reine de Joie, Henri de Toulouse-Lautrec — Reine de JoieHenri de Toulouse-Lautrec1892The Art Institute of Chicago

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Henri de Toulouse-Lautrec made Reine de Joie, and made these too.

Made in the nineteenth century, like Reine de Joie.

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