Les Rois Mages — Henri de Toulouse-Lautrec

Les Rois Mages, Henri de Toulouse-Lautrec

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Human Figures

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Rights

Credit: Museum Accession, 1963
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 641154 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/641154

Also by Henri de Toulouse-Lautrec

37

A Saint-Lazare par Aristide Bruant, Henri de Toulouse-Lautrec — A Saint-Lazare par Aristide BruantHenri de Toulouse-LautrecMetropolitan Museum of Art, New York, NY

Ballet Dancers, Henri de Toulouse-Lautrec — Ballet DancersHenri de Toulouse-Lautrec1885–86The Art Institute of Chicago

Portrait of Jeanne Wenz, Henri de Toulouse-Lautrec — Portrait of Jeanne WenzHenri de Toulouse-Lautrec1886The Art Institute of Chicago

Equestrienne (At the Cirque Fernando), Henri de Toulouse-Lautrec — Equestrienne (At the Cirque Fernando)Henri de Toulouse-Lautrec1887–88The Art Institute of Chicago

Albert (René) Grenier (1858–1925), Henri de Toulouse-Lautrec — Albert (René) Grenier (1858–1925)Henri de Toulouse-Lautrec1887Metropolitan Museum of Art, New York, NY

Moulin de la Galette, Henri de Toulouse-Lautrec — Moulin de la GaletteHenri de Toulouse-Lautrec1889The Art Institute of Chicago

Woman in the Garden of Monsieur Forest, Henri de Toulouse-Lautrec — Woman in the Garden of Monsieur ForestHenri de Toulouse-Lautrec1889–91Metropolitan Museum of Art, New York, NY

Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec — Moulin Rouge: La GoulueHenri de Toulouse-Lautrec1891Metropolitan Museum of Art, New York, NY

Within fifty years

4028

No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", Utagawa Hiroshige — No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"Utagawa Hiroshigec. 1835/38The Art Institute of Chicago

No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", Utagawa Hiroshige — No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"Utagawa Hiroshigec. 1835/38The Art Institute of Chicago

Ōmori, from the series Famous Places in the Eastern Capital, Utagawa Kuniyoshi (Japanese, 1797–1861) — Ōmori, from the series Famous Places in the Eastern CapitalUtagawa Kuniyoshi (Japanese, 1797–1861)early 1830sCleveland Museum of Art

South Wind, Clear Sky, from Thirty-Six Views of Mount Fuji, Katsushika Hokusai (Japanese, 1760–1849) — South Wind, Clear Sky, from Thirty-Six Views of Mount FujiKatsushika Hokusai (Japanese, 1760–1849)early 1830sCleveland Museum of Art

Trade Card of John Williams, Clothier, Unknown — Trade Card of John Williams, ClothierUnknownca. 1830Cooper Hewitt, Smithsonian Design Museum

Botanical Specimen, William Henry Fox Talbot — Botanical SpecimenWilliam Henry Fox Talbotc. 1835The Art Institute of Chicago

Bandbox, Unknown — BandboxUnknown1830–40Cooper Hewitt, Smithsonian Design Museum

Pieced Quilt (Honeycomb), Unidentified — Pieced Quilt (Honeycomb)Unidentifiedca. 1830Smithsonian American Art Museum

Also at Metropolitan Museum of Art, New York, NY

517

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Next

Henri de Toulouse-Lautrec made Les Rois Mages, and made these too.

Made in the nineteenth century, like Les Rois Mages.

The Annunciation1887
The Bay of Marseille, Seen from L'Estaque1880
Armchair1880
Blanket1880

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