Of
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- Men, Profiles
Portrait of Honoré Daumier — Etienne Carjat1861Within fifty years of 1861
4344
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Goya (Francisco de Goya y Lucientes)ca. 1816–20Metropolitan Museum of Art, New York, NY
Sketchbook Page: Two Landscapes after Vincenzo Martinelli; Verso: Architectural DetailsFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page: Three Landscapes after Vincenzo Martinelli. Verso: Architectural SketchFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum
Four Studies of Works by Perugino and FranciaFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page: Study of Reno, Bologna; Verso: Architectural DetailsFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page, Folio 57: Study after Piazza Emmanuelle in Bologna; Verso, Architectural DetailFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum
Piazza San Domenico in Bologna; Piazza San Francesco and Villa Aldini in Bologna; Study of Tomb of GlossatoriFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page: Six Scenes; Verso: Five Studies of Horse Heads; Head of LionFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design MuseumAlso at Metropolitan Museum of Art, New York, NY
487
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NYSimilar picturesFound by visual likeness
8 picturesVisual resemblances suggested by the model. A match does not establish a shared subject or historical connection.
Gedney BunceRobert Frederick Blum, American, 1857–19031881Cooper Hewitt, Smithsonian Design Museum0.86
ManRobert Frederick Blum, American, 1857–19031876–1877Cooper Hewitt, Smithsonian Design Museum0.84
ManRobert Frederick Blum, American, 1857–19031880Cooper Hewitt, Smithsonian Design Museum0.84
Self-PortraitCaspar David Friedrichn.d.The Art Institute of Chicago0.84
BoyRobert Frederick Blum, American, 1857–19031876Cooper Hewitt, Smithsonian Design Museum0.84
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Made in the nineteenth century, like Portrait of Honoré Daumier.
