Of These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
Holder's headings Portraits , Women Wikidata depicts woman , portrait Close Marie Spartali — Julia Margaret Cameron 1868
Also by Julia Margaret Cameron 14 Charles Hay Cameron Julia Margaret Cameron1864 Metropolitan Museum of Art, New York, NY Julia Herschel Julia Margaret Cameron1865 Metropolitan Museum of Art, New York, NY Alfred, Lord Tennyson (Dirty Monk) Julia Margaret Cameron1865, printed c. 1893 The Art Institute of Chicago Philip Stanhope Worsley Julia Margaret Cameron1866 Metropolitan Museum of Art, New York, NY Zoe, Maid of Athens Julia Margaret Cameron1866 Metropolitan Museum of Art, New York, NY Aubrey de Vere Julia Margaret Cameron1866–68 Metropolitan Museum of Art, New York, NY Julia Jackson Julia Margaret Cameron1867 Metropolitan Museum of Art, New York, NY Julia Jackson Julia Margaret Cameron1867 The Art Institute of Chicago
Within fifty years of 1868 4263 Seated Giant Goya (Francisco de Goya y Lucientes)by 1818 (possibly 1814–18) Metropolitan Museum of Art, New York, NY Head of a Guillotined Man Jean Louis André Théodore Géricault1818–19 The Art Institute of Chicago Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed Joseph Mallord William Turner1818 Yale Center for British Art Letter from George Troup regarding the Prince Regent and Brighton Pavilion George IV, King of England, English, 1762 – 18301818 Cooper Hewitt, Smithsonian Design Museum Letter from John Nash to Frederick Crace regarding Brighton Pavilion John Nash, 1752 – 18351818 Cooper Hewitt, Smithsonian Design Museum Sampler Mary Beacon, American1818 Cooper Hewitt, Smithsonian Design Museum Memorial Wool Embroidery Design "Meinem Theuren Vater" and "Meiner Theuren Mater" F. Ebner, German, 1800 – 18251818 Cooper Hewitt, Smithsonian Design Museum Textile Unknownca. 1818 Cooper Hewitt, Smithsonian Design Museum
Also at Metropolitan Museum of Art, New York, NY 493 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY Add a connection Propose a reading
Next Julia Margaret Cameron made Marie Spartali, and made these too.
Made in the nineteenth century, like Marie Spartali.
