Of These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
Holder's headings Men , Portraits , Profiles Wikidata depicts man , portrait , profile Close Charles Hay Cameron — Julia Margaret Cameron 1864
Also by Julia Margaret Cameron 14 Julia Herschel Julia Margaret Cameron1865 Metropolitan Museum of Art, New York, NY Alfred, Lord Tennyson (Dirty Monk) Julia Margaret Cameron1865, printed c. 1893 The Art Institute of Chicago Philip Stanhope Worsley Julia Margaret Cameron1866 Metropolitan Museum of Art, New York, NY Zoe, Maid of Athens Julia Margaret Cameron1866 Metropolitan Museum of Art, New York, NY Aubrey de Vere Julia Margaret Cameron1866–68 Metropolitan Museum of Art, New York, NY Julia Jackson Julia Margaret Cameron1867 Metropolitan Museum of Art, New York, NY Julia Jackson Julia Margaret Cameron1867 The Art Institute of Chicago Mrs. Herbert Duckworth Julia Margaret CameronApril 1867 The Art Institute of Chicago
Within fifty years of 1864 4297 Hampstead, Stormy Sky Style of John Constable1814 The Art Institute of Chicago Teach Yourself How to Dance (Odori hitori keiko) 踊独稽古; 酒宴即興踊独稽古(しゅえん そっきょう おどりひとりげいこ) Sanshōsai1814, first month (Bunka 11) Metropolitan Museum of Art, New York, NY Decorative Studies; Verso: Barbarian Head in Profile from the Antique Felice Giani, Italian, 1758–18231814–18 Cooper Hewitt, Smithsonian Design Museum Decorative Study; Verso: Two Head Studies Felice Giani, Italian, 1758–18231814–18 Cooper Hewitt, Smithsonian Design Museum Decorative Study; Verso: Anatomical Study Felice Giani, Italian, 1758–18231814–18 Cooper Hewitt, Smithsonian Design Museum Eight Studies of Friezes and Candelabrum Felice Giani, Italian, 1758–18231814–18 Cooper Hewitt, Smithsonian Design Museum Four Decorative Studies of Ceilings; Verso: Anatomical Studies Felice Giani, Italian, 1758–18231814–18 Cooper Hewitt, Smithsonian Design Museum Decorative Studies; Verso: Anatomical Studies Felice Giani, Italian, 1758–18231814–18 Cooper Hewitt, Smithsonian Design Museum
Also at Metropolitan Museum of Art, New York, NY 488 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY Add a connection Propose a reading
Next Julia Margaret Cameron made Charles Hay Cameron, and made these too.
Made in the nineteenth century, like Charles Hay Cameron.
