Bathing in the Sea (Kaisuiyoku) — Gyosei Shuntei, dated 1898

Bathing in the Sea (Kaisuiyoku), Gyosei Shuntei

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Children, Men, Women, Beaches, Bathing

Means

No reading yet.

Rights

Credit: Gift of Mr. and Mrs. Walter W. Stokes Jr., 1975
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 53900 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/53900

Within fifty years of dated 1898

3759

The Horses of Anahita, William Morris Hunt — The Horses of AnahitaWilliam Morris HuntModeled 1848–50, cast 1882–1910The Art Institute of Chicago

Study of Camels, Unknown — Study of CamelsUnknown1848Cleveland Museum of Art

The Captive, from "Illustrated London News", H. Harrison — The Captive, from "Illustrated London News"H. HarrisonApril 15, 1848Metropolitan Museum of Art, New York, NY

Sidewall, William Woolams and Co. — SidewallWilliam Woolams and Co.ca. 1848Cooper Hewitt, Smithsonian Design Museum

Sidewall, William Woolams and Co. — SidewallWilliam Woolams and Co.1848Cooper Hewitt, Smithsonian Design Museum

Cartoon for a Woven Carpet, Unknown — Cartoon for a Woven CarpetUnknownca. 1848Cooper Hewitt, Smithsonian Design Museum

Bust of Saïd Abdullah of the Darfour People, Charles Henri Joseph Cordier — Bust of Saïd Abdullah of the Darfour PeopleCharles Henri Joseph Cordier1848The Art Institute of Chicago

Basket of Flowers, Eugène Delacroix — Basket of FlowersEugène Delacroix1848–49Metropolitan Museum of Art, New York, NY

Also at Metropolitan Museum of Art, New York, NY

546

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Print, Torii Kiyonobu I — PrintTorii Kiyonobu I1703Metropolitan Museum of Art, New York, NY

0.89

Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

0.89

No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", Utagawa Hiroshige — No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"Utagawa Hiroshigec. 1835/38The Art Institute of Chicago

0.89

Women Beside a Stream Chasing Fireflies, Chōbunsai Eishi (Japanese, 1756–1829) — Women Beside a Stream Chasing FirefliesChōbunsai Eishi (Japanese, 1756–1829)c. 1796–97Cleveland Museum of Art

0.88

Mochizuki, Utagawa Hiroshige — MochizukiUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

0.88

Goldfish, from the series "Elegant Comparison of Little Treasures (Furyu kodakara awase)", Kitagawa Utamaro — Goldfish, from the series "Elegant Comparison of Little Treasures (Furyu kodakara awase)"Kitagawa Utamaroc. 1802The Art Institute of Chicago

0.87

Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the Nurse, Katsushika Hokusai (Japanese, 1760–1849) — Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the NurseKatsushika Hokusai (Japanese, 1760–1849)1835–36Cleveland Museum of Art

0.87

Three Courtesans with a Client, Okumura Masanobu (Japanese, 1686–1764) — Three Courtesans with a ClientOkumura Masanobu (Japanese, 1686–1764)Cleveland Museum of Art

0.87

Next

Made in the nineteenth century, like Bathing in the Sea (Kaisuiyoku).

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