Processes of Wallpaper Production — Unknown, 1882

Processes of Wallpaper Production, Unknown

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Credit: Cooper Hewitt, Smithsonian Design Museum
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1955-91-1 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/113660

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1882

2939

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

Compote and Stand, Sèvres Porcelain Manufactory, French, established 1756 — Compote and StandSèvres Porcelain Manufactory, French, established 1756ca. 1832Cooper Hewitt, Smithsonian Design Museum

Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, Eugène Delacroix — Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their DaughtersEugène Delacroix1832Metropolitan Museum of Art, New York, NY

A Young Black Woman Fetching Water, Eugène Delacroix (French, 1798–1863) — A Young Black Woman Fetching WaterEugène Delacroix (French, 1798–1863)1832Cleveland Museum of Art

Le Charivari, December 1, 1832–May 31, 1833, Honoré Daumier — Le Charivari, December 1, 1832–May 31, 1833Honoré DaumierDecember 1, 1832–May 31, 1833Metropolitan Museum of Art, New York, NY

Also at Cooper Hewitt, Smithsonian Design Museum

3086

Ornament Panel with Bird Cage, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with Bird CageNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel Inscribed "Victoria Augusta", Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel Inscribed "Victoria Augusta"Nicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Ornament Panel with Mars, Nicoletto da Modena, Italian, active 1500 – 1522 — Ornament Panel with MarsNicoletto da Modena, Italian, active 1500 – 1522ca. 1507Cooper Hewitt, Smithsonian Design Museum

Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533 — Abraham and the Three AngelsLucas van Leyden, Netherlandish, ca. 1494–15331513Cooper Hewitt, Smithsonian Design Museum

Study of a Rearing Horse after Leonardo da Vinci, Francesco Melzi, Italian, 1491 – 1570 — Study of a Rearing Horse after Leonardo da VinciFrancesco Melzi, Italian, 1491 – 1570ca. 1520–25Cooper Hewitt, Smithsonian Design Museum

Portrait of Albrecht of Brandenburg, Albrecht Dürer, German, 1471–1528 — Portrait of Albrecht of BrandenburgAlbrecht Dürer, German, 1471–15281524Cooper Hewitt, Smithsonian Design Museum

Grotesque Ornament with Satyrs, from a set of twenty ornament panels, Agostino Veneziano, Italian, ca. 1490 - after 1536 — Grotesque Ornament with Satyrs, from a set of twenty ornament panelsAgostino Veneziano, Italian, ca. 1490 - after 1536ca. 1530–1535Cooper Hewitt, Smithsonian Design Museum

Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork), Léonard Thiry, Flemish, 1550 — Design for Covered Cups, from Dessins d'orfèvrerie (Designs for Metalwork)Léonard Thiry, Flemish, 15501540–1560Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Four Allegories of Virtue, Villa Aldini, Montmorency, France, Felice Giani, Italian, 1758–1823 — Four Allegories of Virtue, Villa Aldini, Montmorency, FranceFelice Giani, Italian, 1758–18231813Cooper Hewitt, Smithsonian Design Museum

0.87

Plate I of "Travail et emploi du coton" from Diderot's Encyclopedia, Vol. I, Louis-Jacques Goussier, French, 1722 - 1799 — Plate I of "Travail et emploi du coton" from Diderot's Encyclopedia, Vol. ILouis-Jacques Goussier, French, 1722 - 17991762Cooper Hewitt, Smithsonian Design Museum

0.87

Designs for the Letters E and F, Jean Baptiste Piauger, French, active 1760s — Designs for the Letters E and FJean Baptiste Piauger, French, active 1760s1767Cooper Hewitt, Smithsonian Design Museum

0.86

Plate Illustrating Fanmaking from Diderot's "Encyclopédie", Denis Diderot, French, 1713–1784 — Plate Illustrating Fanmaking from Diderot's "Encyclopédie"Denis Diderot, French, 1713–1784ca. 1751–1766Cooper Hewitt, Smithsonian Design Museum

0.86

Watch-tower, Corner of Spring and Varick Streets, New York, Winslow Homer, American, 1836–1910 — Watch-tower, Corner of Spring and Varick Streets, New YorkWinslow Homer, American, 1836–1910February 28, 1874Cooper Hewitt, Smithsonian Design Museum

0.85

Plate Illustrating Fanmaking from Diderot's "Encyclopédie", Denis Diderot, French, 1713–1784 — Plate Illustrating Fanmaking from Diderot's "Encyclopédie"Denis Diderot, French, 1713–17841751–1766Cooper Hewitt, Smithsonian Design Museum

0.84

Thanksgiving Day, 1860 - The Two Great Classes of Society, from Harper's Weekly, IV, December 1, 1860, pp. 760-761., Winslow Homer, American, 1836–1910 — Thanksgiving Day, 1860 - The Two Great Classes of Society, from Harper's Weekly, IV, December 1, 1860, pp. 760-761.Winslow Homer, American, 1836–1910December 1, 1860Cooper Hewitt, Smithsonian Design Museum

0.84

Title Page, Gilles-Marie Oppenord, French, 1672–1742 — Title PageGilles-Marie Oppenord, French, 1672–17421749-1761Cooper Hewitt, Smithsonian Design Museum

0.84

Next

Made in the nineteenth century, like Processes of Wallpaper Production.

The Annunciation1887
Cliff Walk at Pourville1882
Madame Paul Escudier (Louise Lefevre)1882
Sita1882

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