Nihonbashi, Clearing Weather after Show (Nihon-bashi, yuki-bare) From the Series One Hundred Famous views of Edo — Ando Hiroshige, Japanese, 1797–1858, 1856

Nihonbashi, Clearing Weather after Show (Nihon-bashi, yuki-bare) From the Series One Hundred Famous views of Edo, Ando Hiroshige, Japanese, 1797–1858

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Rights

Credit: Gift of the Estate of Mrs. Robert H. Patterson
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1941-31-309 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/74769

Also by Ando Hiroshige, Japanese, 1797–1858

15

A street Scene of Edo, Ando Hiroshige, Japanese, 1797–1858 — A street Scene of EdoAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Scene of Flying Kites, Ando Hiroshige, Japanese, 1797–1858 — Scene of Flying KitesAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Nissaka: Distant View of Mukenzan from Sayononakayama (Nissaka, Sayonoyamanak Mukenzan enbo), Ando Hiroshige, Japanese, 1797–1858 — Nissaka: Distant View of Mukenzan from Sayononakayama (Nissaka, Sayonoyamanak Mukenzan enbo)Ando Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Castle Moat, Ando Hiroshige, Japanese, 1797–1858 — Castle MoatAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Kite Scene, Ando Hiroshige, Japanese, 1797–1858 — Kite SceneAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Futakawa: Post House on Monkey Plain (Futakawa, Sarugababa tateba) from the Series 53 Stations of the Tokaido, Ando Hiroshige, Japanese, 1797–1858 — Futakawa: Post House on Monkey Plain (Futakawa, Sarugababa tateba) from the Series 53 Stations of the TokaidoAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Men Feasting, Ando Hiroshige, Japanese, 1797–1858 — Men FeastingAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Valley View, Ando Hiroshige, Japanese, 1797–1858 — Valley ViewAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1856

4337

Album of the Phoenix Bird (Ranpō jō) 鸞鳳帖, Keian Tenrai 桂庵天籟 — Album of the Phoenix Bird (Ranpō jō) 鸞鳳帖Keian Tenrai 桂庵天籟1806 (Bunka 3)Metropolitan Museum of Art, New York, NY

Ornamental Panel, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817 — Ornamental PanelFlaminio Innocenzi Minozzi, Italian, 1735 – 18171806Cooper Hewitt, Smithsonian Design Museum

Ornamental Panel, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817 — Ornamental PanelFlaminio Innocenzi Minozzi, Italian, 1735 – 18171806Cooper Hewitt, Smithsonian Design Museum

Portrait of a Man (Jacques Marguet de Norvins), Jean-Auguste-Dominique Ingres (French, 1780–1867) — Portrait of a Man (Jacques Marguet de Norvins)Jean-Auguste-Dominique Ingres (French, 1780–1867)c. 1811Cleveland Museum of Art

Study for "Napoleon at Eylau", Charles Meynier, 1768 – 1832 — Study for "Napoleon at Eylau"Charles Meynier, 1768 – 1832ca. 1807Cooper Hewitt, Smithsonian Design Museum

Sampler, Unknown — SamplerUnknown1807Cooper Hewitt, Smithsonian Design Museum

Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836 — Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum

Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836 — Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

6678

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

3 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

View of Shiba Coast (Shibaura no fukei) From the Series One Hundred Famous views of Edo, Ando Hiroshige, Japanese, 1797–1858 — View of Shiba Coast (Shibaura no fukei) From the Series One Hundred Famous views of EdoAndo Hiroshige, Japanese, 1797–18581856Cooper Hewitt, Smithsonian Design Museum

0.84

Boat on the Sumida, Utagawa Hiroshige — Boat on the SumidaUtagawa Hiroshige1817–58Metropolitan Museum of Art, New York, NY

0.83

Cherry Blossom Viewing, Ando Hiroshige, Japanese, 1797–1858 — Cherry Blossom ViewingAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.83

Next

Ando Hiroshige, Japanese, 1797–1858 made Nihonbashi, Clearing Weather after Show (Nihon-bashi, yuki-bare) From the Series One Hundred Famous views of Edo, and made these too.

Made in the nineteenth century, like Nihonbashi, Clearing Weather after Show (Nihon-bashi, yuki-bare) From the Series One Hundred Famous views of Edo.

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