A street Scene of Edo — Ando Hiroshige, Japanese, 1797–1858, 1797-1858

A street Scene of Edo, Ando Hiroshige, Japanese, 1797–1858

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Credit: Gift of the Estate of Mrs. Robert H. Patterson
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1941-31-193 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/74639

Also by Ando Hiroshige, Japanese, 1797–1858

15

Scene of Flying Kites, Ando Hiroshige, Japanese, 1797–1858 — Scene of Flying KitesAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Nissaka: Distant View of Mukenzan from Sayononakayama (Nissaka, Sayonoyamanak Mukenzan enbo), Ando Hiroshige, Japanese, 1797–1858 — Nissaka: Distant View of Mukenzan from Sayononakayama (Nissaka, Sayonoyamanak Mukenzan enbo)Ando Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Castle Moat, Ando Hiroshige, Japanese, 1797–1858 — Castle MoatAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Kite Scene, Ando Hiroshige, Japanese, 1797–1858 — Kite SceneAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Futakawa: Post House on Monkey Plain (Futakawa, Sarugababa tateba) from the Series 53 Stations of the Tokaido, Ando Hiroshige, Japanese, 1797–1858 — Futakawa: Post House on Monkey Plain (Futakawa, Sarugababa tateba) from the Series 53 Stations of the TokaidoAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Men Feasting, Ando Hiroshige, Japanese, 1797–1858 — Men FeastingAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Valley View, Ando Hiroshige, Japanese, 1797–1858 — Valley ViewAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Cherry Blossom Viewing, Ando Hiroshige, Japanese, 1797–1858 — Cherry Blossom ViewingAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1797-1858

3196

Snuffbox with Vegetal Pattern, Unknown — Snuffbox with Vegetal PatternUnknownca. 1750Metropolitan Museum of Art, New York, NY

The Head of a Young Man Looking Upwards to the Right, Giovanni Battista Tiepolo (Italian, 1696–1770) — The Head of a Young Man Looking Upwards to the RightGiovanni Battista Tiepolo (Italian, 1696–1770)before 1752Cleveland Museum of Art

The Washerwoman, Capodimonte Porcelain Manufactory — The WasherwomanCapodimonte Porcelain Manufactoryca. 1752–58Metropolitan Museum of Art, New York, NY

The Tomb of Nero, Giovanni Battista Piranesi (Italian, 1720–1778); Giovanni Bouchard (Italian, 1700-1850) — The Tomb of NeroGiovanni Battista Piranesi (Italian, 1720–1778); Giovanni Bouchard (Italian, 1700-1850)1747–48Cleveland Museum of Art

Embroidered picture, Unknown — Embroidered pictureUnknown1748Cooper Hewitt, Smithsonian Design Museum

Title Page, Alexis Peyrotte, French, 1699–1769 — Title PageAlexis Peyrotte, French, 1699–17691748Cooper Hewitt, Smithsonian Design Museum

Ornament Design with Vegetables over Shell from Livre des Legumes [Series of Vegetable Ornament], pl. 15 in Oeuvre de Juste-Aurèle Meissonnier, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 — Ornament Design with Vegetables over Shell from Livre des Legumes [Series of Vegetable Ornament], pl. 15 in Oeuvre de Juste-Aurèle MeissonnierJuste-Aurèle Meissonnier, French, b. Italy, 1695–17501748Cooper Hewitt, Smithsonian Design Museum

Ornament Design with Wheat and Acanthus Leaves over Shell, from Livre des Legumes [Series of Vegetable Ornament], pl. 17 in Oeuvre de Juste-Aurèle Meissonnier, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750 — Ornament Design with Wheat and Acanthus Leaves over Shell, from Livre des Legumes [Series of Vegetable Ornament], pl. 17 in Oeuvre de Juste-Aurèle MeissonnierJuste-Aurèle Meissonnier, French, b. Italy, 1695–17501748Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

7332

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Valley View, Ando Hiroshige, Japanese, 1797–1858 — Valley ViewAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.90

Morning Cherries at Yoshiwara, Utagawa Hiroshige — Morning Cherries at YoshiwaraUtagawa HiroshigeMetropolitan Museum of Art, New York, NY

0.90

Valley View, Ando Hiroshige, Japanese, 1797–1858 — Valley ViewAndo Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.90

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

0.89

Nissaka: Distant View of Mukenzan from Sayononakayama (Nissaka, Sayonoyamanak Mukenzan enbo), Ando Hiroshige, Japanese, 1797–1858 — Nissaka: Distant View of Mukenzan from Sayononakayama (Nissaka, Sayonoyamanak Mukenzan enbo)Ando Hiroshige, Japanese, 1797–18581797-1858Cooper Hewitt, Smithsonian Design Museum

0.89

Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

0.88

Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige — Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

0.87

Snow at Benzaiten Shrine in Inokashira Pond (Inokashira no ike Benzaiten no yashiro yuki no kei), from the series "Snow, Moon, and Flowers at Famous Places (Meisho setsugekka)", Utagawa Hiroshige — Snow at Benzaiten Shrine in Inokashira Pond (Inokashira no ike Benzaiten no yashiro yuki no kei), from the series "Snow, Moon, and Flowers at Famous Places (Meisho setsugekka)"Utagawa Hiroshigec. 1844/45The Art Institute of Chicago

0.87

Next

Ando Hiroshige, Japanese, 1797–1858 made A street Scene of Edo, and made these too.

Made in the eighteenth century, like A street Scene of Edo.

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

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