Title Page, Jean Lamour, French, 1698–1771

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Credit
Purchased for the Museum by the Advisory Council
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1921-6-210-23 (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/244247
Title Page, Jean Lamour, French, 1698–1771
Title Page — Jean Lamour, French, 1698–17711767–68

Also by Jean Lamour, French, 1698–1771

2
Petit Balçon et suivant, qui se voient a la Facade de la maison de lauteur, Jean Lamour, French, 1698–1771
Petit Balçon et suivant, qui se voient a la Facade de la maison de lauteurJean Lamour, French, 1698–17711759–68Cooper Hewitt, Smithsonian Design Museum
Ornament Detail and Designs for Decorative Ironwork, Jean Lamour, French, 1698–1771
Ornament Detail and Designs for Decorative IronworkJean Lamour, French, 1698–17711759–68Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1767–68

2917
Georgii Riplaei ... chymische Schrifften : darinnen vom dem gebenedeyten Stein der Weisen und desselben kunstreichen Praeparation gründlich gehandelt wird ..., Riplaeus, Georgius
Georgii Riplaei ... chymische Schrifften : darinnen vom dem gebenedeyten Stein der Weisen und desselben kunstreichen Praeparation gründlich gehandelt wird ...Riplaeus, Georgius1717Stiftung der Werke von C.G.Jung, Zürich
Artephii, des uhralten Philosophi, geheimer Haupt-Schlüssel zu dem verborgenen Stein der Weisen, Artephius
Artephii, des uhralten Philosophi, geheimer Haupt-Schlüssel zu dem verborgenen Stein der WeisenArtephius1717Stiftung der Werke von C.G.Jung, Zürich
Das eröffnete philosophische Vatter-Hertz an seinen Sohn, welches er, wegen hohen Alters, nicht länger wolte vor ihm verschlossen halten, sondern zeigete und erklärte demselben alle das, was zu der völligen Composition und Bereitung des Steins der Weisen vonnöthen war ..., Unknown
Das eröffnete philosophische Vatter-Hertz an seinen Sohn, welches er, wegen hohen Alters, nicht länger wolte vor ihm verschlossen halten, sondern zeigete und erklärte demselben alle das, was zu der völligen Composition und Bereitung des Steins der Weisen vonnöthen war ...Unknown1717Stiftung der Werke von C.G.Jung, Zürich
A Peddler of Colored Cloth (fukusa), Torii Kiyotomo
A Peddler of Colored Cloth (fukusa)Torii Kiyotomoc. 1724The Art Institute of Chicago
Sketch for 'The Last Supper,' St. Mary's, Weymouth, Sir James Thornhill
Sketch for 'The Last Supper,' St. Mary's, WeymouthSir James Thornhillbetween 1719 and 1720Yale Center for British Art
Fasciculus unterschiedlicher alten raren und wahren philosophischen Schrifften vom Stein der Weisen ..., Hellwig, Christoph von
Fasciculus unterschiedlicher alten raren und wahren philosophischen Schrifften vom Stein der Weisen ...Hellwig, Christoph von1719Stiftung der Werke von C.G.Jung, Zürich
Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742
Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum
Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742
Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum

Also at Cooper Hewitt, Smithsonian Design Museum

7546
Tiraz fragment, Unknown
Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Title Page, Friedrich Jacob Morison, German, active 1693 – 1699
Title PageFriedrich Jacob Morison, German, active 1693 – 1699ca. 1700Cooper Hewitt, Smithsonian Design Museum
0.87
Title Page, Jean-Bernard Turreau, French, 1672 - 1731
Title PageJean-Bernard Turreau, French, 1672 - 17311716-19Cooper Hewitt, Smithsonian Design Museum
0.87
Title Page, Pierre Ranson, French, 1736–1786
Title PagePierre Ranson, French, 1736–17861759–80Cooper Hewitt, Smithsonian Design Museum
0.87
Plate XIV, from the "Exercitatio Alphabetica", Clément Perret, 1569/71–?
Plate XIV, from the "Exercitatio Alphabetica"Clément Perret, 1569/71–?1568–69Cooper Hewitt, Smithsonian Design Museum
0.87
Title Page, Jean-Bernard Turreau, French, 1672 - 1731
Title PageJean-Bernard Turreau, French, 1672 - 1731early 18th centuryCooper Hewitt, Smithsonian Design Museum
0.87
Title Page, Friedrich Jacob Morison, German, active 1693 – 1699
Title PageFriedrich Jacob Morison, German, active 1693 – 1699ca. 1700Cooper Hewitt, Smithsonian Design Museum
0.86
Title Page, Pierre Ranson, French, 1736–1786
Title PagePierre Ranson, French, 1736–17861759–80Cooper Hewitt, Smithsonian Design Museum
0.86
The Gentleman's and Cabinet-Maker's Director, Thomas Chippendale, 1718 – 1779
The Gentleman's and Cabinet-Maker's DirectorThomas Chippendale, 1718 – 17791755Cooper Hewitt, Smithsonian Design Museum
0.86

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Made in the eighteenth century, like Title Page.

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