Chamber — Robert Frederick Blum, American, 1857–1903, 1892

Chamber, Robert Frederick Blum, American, 1857–1903

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Rights

Credit: Gift of Henrietta Haller
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1904-16-441 (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/13102

Also by Robert Frederick Blum, American, 1857–1903

297

Actor, Robert Frederick Blum, American, 1857–1903 — ActorRobert Frederick Blum, American, 1857–19031870–1879Cooper Hewitt, Smithsonian Design Museum

Man, Robert Frederick Blum, American, 1857–1903 — ManRobert Frederick Blum, American, 1857–19031876–77Cooper Hewitt, Smithsonian Design Museum

Tree, Robert Frederick Blum, American, 1857–1903 — TreeRobert Frederick Blum, American, 1857–19031876Cooper Hewitt, Smithsonian Design Museum

Figure, Robert Frederick Blum, American, 1857–1903 — FigureRobert Frederick Blum, American, 1857–19031876Cooper Hewitt, Smithsonian Design Museum

Figure, Robert Frederick Blum, American, 1857–1903 — FigureRobert Frederick Blum, American, 1857–19031876Cooper Hewitt, Smithsonian Design Museum

Figure, Robert Frederick Blum, American, 1857–1903 — FigureRobert Frederick Blum, American, 1857–19031876Cooper Hewitt, Smithsonian Design Museum

Figure, Robert Frederick Blum, American, 1857–1903 — FigureRobert Frederick Blum, American, 1857–19031876Cooper Hewitt, Smithsonian Design Museum

Landscape, Robert Frederick Blum, American, 1857–1903 — LandscapeRobert Frederick Blum, American, 1857–19031876Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1892

3542

Shirasuka: Shiomi Slope,no. 33 from the series Fifty-Three Stations of the Tokaido (Tōkaidō gojūsan tsugi), Utagawa Hiroshige — Shirasuka: Shiomi Slope,no. 33 from the series Fifty-Three Stations of the Tokaido (Tōkaidō gojūsan tsugi)Utagawa Hiroshige1847-52The Art Institute of Chicago

Friendship Quilt, Ella Maria Deacon — Friendship QuiltElla Maria Deacon1842The Art Institute of Chicago

Drawing Room, Unknown, English — Drawing RoomUnknown, Englishca. 1842Cooper Hewitt, Smithsonian Design Museum

Sampler, Unknown — SamplerUnknown1842Cooper Hewitt, Smithsonian Design Museum

Study of Hands, Jean-Auguste-Dominique Ingres (French, 1780–1867) — Study of HandsJean-Auguste-Dominique Ingres (French, 1780–1867)1842Cleveland Museum of Art

The Abandonment of Ariadne, Honoré Daumier (French, 1808–1879); Aubert — The Abandonment of AriadneHonoré Daumier (French, 1808–1879); Aubert1842Cleveland Museum of Art

A skeleton leaning on a spade. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543., Andreas Vesalius; John Tinney — A skeleton leaning on a spade. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection

An écorché figure seen from the front. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543., Andreas Vesalius; John Tinney — An écorché figure seen from the front. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection

Also at Cooper Hewitt, Smithsonian Design Museum

7256

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

In St. Peter’s, All Saint Day, Arnold William Brunner, American, 1857–1925 — In St. Peter’s, All Saint DayArnold William Brunner, American, 1857–1925ca. 1881Cooper Hewitt, Smithsonian Design Museum

0.88

Study for a pedestal, “Vintage Festival,” Mendelssohn Glee Club, New York, Robert Frederick Blum, American, 1857–1903 — Study for a pedestal, “Vintage Festival,” Mendelssohn Glee Club, New YorkRobert Frederick Blum, American, 1857–19031896Cooper Hewitt, Smithsonian Design Museum

0.87

Designs for Ecclesiastic Stalls, Giuseppe Barberi, Italian, 1746–1809 — Designs for Ecclesiastic StallsGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

0.87

Bookplate: Irving Kent Hall and Mary Kent Hall, Ex Libris inscribed, Frederick Garrison Hall (American, 1879–1946) — Bookplate: Irving Kent Hall and Mary Kent Hall, Ex Libris inscribedFrederick Garrison Hall (American, 1879–1946)Cleveland Museum of Art

0.86

Illustration Showing the Triumphal Return of the German Army After the German-French War, Walter Shirlaw, American, b. Scotland, 1838–1909 — Illustration Showing the Triumphal Return of the German Army After the German-French WarWalter Shirlaw, American, b. Scotland, 1838–1909ca. 1871Cooper Hewitt, Smithsonian Design Museum

0.86

Fantastic Garden, Carlo Antonio Buffagnotti, Italian, ca. 1660–after 1715 — Fantastic GardenCarlo Antonio Buffagnotti, Italian, ca. 1660–after 1715ca. 1700Cooper Hewitt, Smithsonian Design Museum

0.86

Stage Design, Group of Antique Monuments, Angelo Toselli, ca. 1765? – 1826 — Stage Design, Group of Antique MonumentsAngelo Toselli, ca. 1765? – 1826early 19th centuryCooper Hewitt, Smithsonian Design Museum

0.86

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231780-1790Cooper Hewitt, Smithsonian Design Museum

0.86

Next

Robert Frederick Blum, American, 1857–1903 made Chamber, and made these too.

Made in the nineteenth century, like Chamber.

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