Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror — Henri Simon Thomassin, 1707–41

Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror, Henri Simon Thomassin

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Skulls, Men, Portraits, Mirrors

Means

No reading yet.

Rights

Credit: Gift of Harry G. Friedman, 1960
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 815460 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/815460

Within fifty years of 1707–41

1616

St. Francis Beneath a Tree Praying, Rembrandt van Rijn (Dutch, 1606–1669) — St. Francis Beneath a Tree PrayingRembrandt van Rijn (Dutch, 1606–1669)1657Cleveland Museum of Art

Noah's Ark, Jan Sadeler, the Elder, ca. 1550 – 1600 — Noah's ArkJan Sadeler, the Elder, ca. 1550 – 16001657Cooper Hewitt, Smithsonian Design Museum

Chaire de l’Eglise St Estienne du Mont de Mr. Fremery sur les desseins de Mr. Sarazin, Martin Frémery, French, active ca. 1650 – ca. 1685 — Chaire de l’Eglise St Estienne du Mont de Mr. Fremery sur les desseins de Mr. SarazinMartin Frémery, French, active ca. 1650 – ca. 16851657–1716Cooper Hewitt, Smithsonian Design Museum

Two Frieze Designs, Jean Le Pautre, French, 1618–1682 — Two Frieze DesignsJean Le Pautre, French, 1618–16821657–82Cooper Hewitt, Smithsonian Design Museum

Trophy Design, Jean Le Pautre, French, 1618–1682 — Trophy DesignJean Le Pautre, French, 1618–16821657–82Cooper Hewitt, Smithsonian Design Museum

Trophy Design, Jean Le Pautre, French, 1618–1682 — Trophy DesignJean Le Pautre, French, 1618–16821657–82Cooper Hewitt, Smithsonian Design Museum

Trophy of Arms, Jean Le Pautre, French, 1618–1682 — Trophy of ArmsJean Le Pautre, French, 1618–16821657–82Cooper Hewitt, Smithsonian Design Museum

Two Frieze Designs, Jean Le Pautre, French, 1618–1682 — Two Frieze DesignsJean Le Pautre, French, 1618–16821657–82Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

690

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

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Made in the eighteenth century, like Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror.

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