Date 1548 Medium Oil on wood Terms oil 300015050 wood 300011914 Dimensions 20 3/4 × 16 3/8 in. (52.5 × 41.5 cm) Collection Metropolitan Museum of Art, New York, NY 2017.401 Getty ids beside the museum's words, by exact match, 2026-09-09
oil read as oil paint by Abe Garcia, 2026-09-07
Of These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
Holder's headings Men , Portraits Wikidata depicts man , portrait Rights Credit Purchase, Walter and Leonore Annenberg Acquisitions Endowment Fund, Alejandro Santo Domingo, Ronald S. Lauder, and The Morris and Alma Schapiro Fund Gifts, and Beatrice Stern, Annette de la Renta, Brownstein Family Foundation, and David and Julie Tobey Gifts, 2017 Licence CC0-1.0 Evidence metmuseum.org collection api v1: isPublicDomain=true on object 761570 (read 2026-09-01) Record https://www.metmuseum.org/art/collection/search/761570 Close Carlo Rimbotti (1518–1591) — Francesco Salviati (Francesco de' Rossi) 1548
Within fifty years of 1548 446 The Lamentation, from The Large Passion Albrecht Dürerc. 1498–99 The Art Institute of Chicago Khusrau and Shirin Hatifidated 904 AH/1498–99 CE Metropolitan Museum of Art, New York, NY De triplici regione claustralium et spirituali exercitio monachorum ... Trithemius, Johannes1498 Stiftung der Werke von C.G.Jung, Zürich Madonna and Child Enthroned with Saints Raphael (Raffaello Sanzio or Santi)ca. 1504 Metropolitan Museum of Art, New York, NY The Agony in the Garden Raphael (Raffaello Sanzio or Santi)ca. 1504 Metropolitan Museum of Art, New York, NY Album Page with Calligraphic Specimen and Animal Border Mughal, late 17th century (border); c. 16th century (calligraphy) The Art Institute of Chicago Double Page from the Qur'an IslamicSafavid dynasty (1501–1722), 16th century The Art Institute of Chicago Page from a Copy of The Qur'an Islamic16th/17th century The Art Institute of Chicago
Also at Metropolitan Museum of Art, New York, NY 683 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY Add a connection Propose a reading
Next Made in the sixteenth century, like Carlo Rimbotti (1518–1591).
