Vita del Tintoretto, Carlo Ridolfi

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Rights

Credit
Purchased with income from the Jacob S. Rogers Fund
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 591826 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/591826
Vita del Tintoretto, Carlo Ridolfi
Vita del Tintoretto — Carlo Ridolfi1642

Within fifty years of 1642

1063
Saturn, Hendrik Goltzius after Polidoro da Caravaggio
SaturnHendrik Goltzius after Polidoro da Caravaggio1592National Gallery of Art
Neptune, Hendrik Goltzius after Polidoro da Caravaggio
NeptuneHendrik Goltzius after Polidoro da Caravaggioprobably 1592National Gallery of Art
Pluto, Hendrik Goltzius after Polidoro da Caravaggio
PlutoHendrik Goltzius after Polidoro da Caravaggioprobably 1592National Gallery of Art
Vulcan, Hendrik Goltzius after Polidoro da Caravaggio
VulcanHendrik Goltzius after Polidoro da Caravaggioprobably 1592National Gallery of Art
Sol or Apollo, Hendrik Goltzius after Polidoro da Caravaggio
Sol or ApolloHendrik Goltzius after Polidoro da Caravaggioprobably 1592National Gallery of Art
Aphorismi hieroglyphici : quibus veterum philosophorum mysteria quaedam declarantur: ex commentariis hieroglyphicis Ioannis Pierii Valeriani & Caelii Augustini Curionis collecti, inq. usum eorum, qui de recondita veterum doctrina aliquid cognoscere desiderant, Valeriano, Pierio
Aphorismi hieroglyphici : quibus veterum philosophorum mysteria quaedam declarantur: ex commentariis hieroglyphicis Ioannis Pierii Valeriani & Caelii Augustini Curionis collecti, inq. usum eorum, qui de recondita veterum doctrina aliquid cognoscere desiderantValeriano, Pierio1592Stiftung der Werke von C.G.Jung, Zürich
Page from Emblemata nobilitate et vulgo scitu digna (Noble Ornament), Johann Theodor de Bry, German, 1561 - 1623
Page from Emblemata nobilitate et vulgo scitu digna (Noble Ornament)Johann Theodor de Bry, German, 1561 - 16231593Cooper Hewitt, Smithsonian Design Museum
Plate 12, Femina Veneta (Venetian Woman), Diversarum Nationum Ornatus Cum Suis Iconibus, Alessandro Fabri, Italian, active late 16th century
Plate 12, Femina Veneta (Venetian Woman), Diversarum Nationum Ornatus Cum Suis IconibusAlessandro Fabri, Italian, active late 16th century1593Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

673
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.


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Made in the seventeenth century, like Vita del Tintoretto.

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