Paradise — Giovanni di Paolo (Giovanni di Paolo di Grazia), 1445

Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia)

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These are claims by the holder and by Wikidata, read 2026-09-17, and join nothing until an editor confirms them.

Iconclass: 11S12heaven represented as paradisaical landscape
Holder's headings: Gardens, Men, Women, Rabbits, Angels, Saints
Wikidata depicts: woman, man, rabbit, saint, angel, garden

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Rights

Credit: Rogers Fund, 1906
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 436512 (read 2026-09-16)
Record: https://www.metmuseum.org/art/collection/search/436512

Also by Giovanni di Paolo (Giovanni di Paolo di Grazia)

1

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) — The Creation of the World and the Expulsion from ParadiseGiovanni di Paolo (Giovanni di Paolo di Grazia)1445Metropolitan Museum of Art, New York, NY

Within fifty years of 1445

116

A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, — A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de ContyMaster of the Second Roman de la Rose of the Duke of Berry,ca. 1400Metropolitan Museum of Art, New York, NY

St. Francis of Assisi with Donors in a Historiated Initial from an Unidentified Manuscript, Italian (Florence) — St. Francis of Assisi with Donors in a Historiated Initial from an Unidentified ManuscriptItalian (Florence)c. 1400The Art Institute of Chicago

Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden , Unknown — Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden Unknownc. 1400Cleveland Museum of Art

Five Panels of a Vajrasattva Crown with Transcendental Buddhas, Tibet — Five Panels of a Vajrasattva Crown with Transcendental BuddhasTibet15th centuryThe Art Institute of Chicago

Armenian Manuscript Bifolium, Illuminator Minas (?) — Armenian Manuscript BifoliumIlluminator Minas (?)15th centuryMetropolitan Museum of Art, New York, NY

Fork, Unknown — ForkUnknown15th centuryMetropolitan Museum of Art, New York, NY

Leaf from an Antiphonary: Coronation of the Virgin, Master of the Beffi Triptych (Italian, active 1390–1425) — Leaf from an Antiphonary: Coronation of the VirginMaster of the Beffi Triptych (Italian, active 1390–1425)1400sCleveland Museum of Art

Wine Cask with Stamped Floral Decoration, Unknown — Wine Cask with Stamped Floral DecorationUnknown1400sCleveland Museum of Art

Also at Metropolitan Museum of Art, New York, NY

734

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Adoration of the Magi, Giovanni di Paolo (Italian, c. 1403–1482) — The Adoration of the MagiGiovanni di Paolo (Italian, c. 1403–1482)1440–45Cleveland Museum of Art

0.90

The Crucifixion; The Last Judgment, Jan van Eyck — The Crucifixion; The Last JudgmentJan van Eyckca. 1436–38Metropolitan Museum of Art, New York, NY

0.87

Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden , Unknown — Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden Unknownc. 1400Cleveland Museum of Art

0.85

Triptych with The Lamentation of Christ (center), St. Barbara (left wing), St. Catherine of Alexandria (right wing), The Annunciation (reverse wings), Master of the Krainburg Altar (Austrian, active c. 1485–1510) — Triptych with The Lamentation of Christ (center), St. Barbara (left wing), St. Catherine of Alexandria (right wing), The Annunciation (reverse wings)Master of the Krainburg Altar (Austrian, active c. 1485–1510)c. 1500Cleveland Museum of Art

0.84

Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man), Unknown — Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man)Unknown1500–1520Metropolitan Museum of Art, New York, NY

0.84

The Annunciation, Unknown — The AnnunciationUnknown1380sCleveland Museum of Art

0.84

The Lamentation of Christ, Simon Marmion — The Lamentation of ChristSimon Marmionca. 1473Metropolitan Museum of Art, New York, NY

0.84

The Right Hand of God Protecting the Faithful against the Demons, Jean Fouquet — The Right Hand of God Protecting the Faithful against the DemonsJean Fouquetca. 1452–60Metropolitan Museum of Art, New York, NY

0.84

Next

Made in the fifteenth century, like Paradise.

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