Date ca. 1515 Genre religious art Artist's movement Renaissance Medium Oil on canvas Terms oil 300015050 canvas 300014078 Dimensions 87 1/4 x 63 3/4 in. (221.6 x 161.9 cm) Collection Metropolitan Museum of Art, New York, NY 12.211 Classifications read from Wikidata, 2026-08-28
Getty ids beside the museum's words, by exact match, 2026-09-09
oil read as oil paint by Abe Garcia, 2026-09-07
Of These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
Iconclass 11HH(MARY MAGDALENE)0 the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge - female saint represented in a group 11H(PETER)0 the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara - male saint represented in a group 11H(LEONARD)0 the (Benedictine) abbot and hermit Leonard of Noblac; possible attributes: dalmatic, (broken) fetters - male saint represented in a group 11HH(MARTHA)0 the patroness of housewives, Martha of Bethany; possible attributes: aspergillum, broom, bunch of keys, dragon, ladle - female saint represented in a group Holder's headings Dragons , Mary Magdalene , Saint Leonard , Saint Peter , Saints Wikidata depicts Mary , woman , dragon , Saint Peter , saint , Mary Magdalene , Leonard of Noblac Close Saints Peter, Martha, Mary Magdalen, and Leonard — Correggio (Antonio Allegri) ca. 1515
Within fifty years of ca. 1515 387 Bifolio from a Book of Hours: Initial V with Floral Border (recto) Unknownc. 1460–1500 Cleveland Museum of Art The Prophet Amos Baccio Baldinic. 1470 The Art Institute of Chicago Book of Hours (Use of Rouen) Master of the Geneva Latini (French, active Rouen, 1460–80)c. 1470 Cleveland Museum of Art Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456) Hans Memlingca. 1470 Metropolitan Museum of Art, New York, NY A Bridal Couple Unknownc. 1470 Cleveland Museum of Art The Flight into Egypt Martin Schongauer (German, c. 1450–1491)1470–74 Cleveland Museum of Art The Birth of the Virgin Fra Carnevale (Bartolomeo di Giovanni Corradini)1467 Metropolitan Museum of Art, New York, NY The Lamentation of Christ Simon Marmionca. 1473 Metropolitan Museum of Art, New York, NY
Also at Metropolitan Museum of Art, New York, NY 688 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY Add a connection Propose a reading
Next Made in the sixteenth century, like Saints Peter, Martha, Mary Magdalen, and Leonard.
