The Love Song — Sir Edward Burne-Jones, 1868–77

The Love Song, Sir Edward Burne-Jones

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Musical Instruments, Armor, Men, Women
Wikidata depicts: woman, man, musical instrument, armor

Means

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Rights

Credit: The Alfred N. Punnett Endowment Fund, 1947
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 435826 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/435826

Also by Sir Edward Burne-Jones

1

Cupid's Hunting Fields, Sir Edward Burne-Jones — Cupid's Hunting FieldsSir Edward Burne-Jones1885The Art Institute of Chicago

Within fifty years of 1868–77

4276

Seated Giant, Goya (Francisco de Goya y Lucientes) — Seated GiantGoya (Francisco de Goya y Lucientes)by 1818 (possibly 1814–18)Metropolitan Museum of Art, New York, NY

Head of a Guillotined Man, Jean Louis André Théodore Géricault — Head of a Guillotined ManJean Louis André Théodore Géricault1818–19The Art Institute of Chicago

Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed, Joseph Mallord William Turner — Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam BecalmedJoseph Mallord William Turner1818Yale Center for British Art

Letter from George Troup regarding the Prince Regent and Brighton Pavilion, George IV, King of England, English, 1762 – 1830 — Letter from George Troup regarding the Prince Regent and Brighton PavilionGeorge IV, King of England, English, 1762 – 18301818Cooper Hewitt, Smithsonian Design Museum

Letter from John Nash to Frederick Crace regarding Brighton Pavilion, John Nash, 1752 – 1835 — Letter from John Nash to Frederick Crace regarding Brighton PavilionJohn Nash, 1752 – 18351818Cooper Hewitt, Smithsonian Design Museum

Sampler, Mary Beacon, American — SamplerMary Beacon, American1818Cooper Hewitt, Smithsonian Design Museum

Memorial Wool Embroidery Design "Meinem Theuren Vater" and "Meiner Theuren Mater", F. Ebner, German, 1800 – 1825 — Memorial Wool Embroidery Design "Meinem Theuren Vater" and "Meiner Theuren Mater"F. Ebner, German, 1800 – 18251818Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknownca. 1818Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

493

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

1 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Agony in the Garden, Raphael (Raffaello Sanzio or Santi) — The Agony in the GardenRaphael (Raffaello Sanzio or Santi)ca. 1504Metropolitan Museum of Art, New York, NY

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Made in the nineteenth century, like The Love Song.

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