Fire-Works on the Night of the Fourth of July (from "Harper's Weekly," Vol. XII), Winslow Homer

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Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Men, Women, Fireworks, Night

Means

No reading yet.


Rights

Credit
Harris Brisbane Dick Fund, 1938
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 341750 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/341750
Fire-Works on the Night of the Fourth of July (from "Harper's Weekly," Vol. XII), Winslow Homer
Fire-Works on the Night of the Fourth of July (from "Harper's Weekly," Vol. XII) — Winslow HomerJuly 11, 1868

Also by Winslow Homer

14
The Veteran in a New Field, Winslow Homer
The Veteran in a New FieldWinslow Homer1865Metropolitan Museum of Art, New York, NY
The Croquet Players, Winslow Homer
The Croquet PlayersWinslow Homer1866Metropolitan Museum of Art, New York, NY
Boys in a Dory, Winslow Homer
Boys in a DoryWinslow Homer1873Metropolitan Museum of Art, New York, NY
"Dad's Coming!" (from "Harper's Weekly," Vol. XVII), Winslow Homer
"Dad's Coming!" (from "Harper's Weekly," Vol. XVII)Winslow HomerNovember 1, 1873Metropolitan Museum of Art, New York, NY
Gathering Berries (from "Harper's Weekly," Vol. XVIII), Winslow Homer
Gathering Berries (from "Harper's Weekly," Vol. XVIII)Winslow HomerJuly 11, 1874Metropolitan Museum of Art, New York, NY
A Fisher Girl on Beach (Sketch for Illustration of "The Incoming Tide"), Winslow Homer
A Fisher Girl on Beach (Sketch for Illustration of "The Incoming Tide")Winslow Homer1876Metropolitan Museum of Art, New York, NY
Sheep, Winslow Homer
SheepWinslow Homer1878Metropolitan Museum of Art, New York, NY
Two Ladies, Winslow Homer
Two LadiesWinslow Homer1880Metropolitan Museum of Art, New York, NY

Within fifty years of July 11, 1868

4263
Seated Giant, Goya (Francisco de Goya y Lucientes)
Seated GiantGoya (Francisco de Goya y Lucientes)by 1818 (possibly 1814–18)Metropolitan Museum of Art, New York, NY
Head of a Guillotined Man, Jean Louis André Théodore Géricault
Head of a Guillotined ManJean Louis André Théodore Géricault1818–19The Art Institute of Chicago
Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed, Joseph Mallord William Turner
Dort, or Dordrecht: The Dort Packet-Boat from Rotterdam BecalmedJoseph Mallord William Turner1818Yale Center for British Art
Letter from George Troup regarding the Prince Regent and Brighton Pavilion, George IV, King of England, English, 1762 – 1830
Letter from George Troup regarding the Prince Regent and Brighton PavilionGeorge IV, King of England, English, 1762 – 18301818Cooper Hewitt, Smithsonian Design Museum
Letter from John Nash to Frederick Crace regarding Brighton Pavilion, John Nash, 1752 – 1835
Letter from John Nash to Frederick Crace regarding Brighton PavilionJohn Nash, 1752 – 18351818Cooper Hewitt, Smithsonian Design Museum
Sampler, Mary Beacon, American
SamplerMary Beacon, American1818Cooper Hewitt, Smithsonian Design Museum
Memorial Wool Embroidery Design "Meinem Theuren Vater" and "Meiner Theuren Mater", F. Ebner, German, 1800 – 1825
Memorial Wool Embroidery Design "Meinem Theuren Vater" and "Meiner Theuren Mater"F. Ebner, German, 1800 – 18251818Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknownca. 1818Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

493
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Next

Winslow Homer made Fire-Works on the Night of the Fourth of July (from "Harper's Weekly," Vol. XII), and made these too.

Made in the nineteenth century, like Fire-Works on the Night of the Fourth of July (from "Harper's Weekly," Vol. XII).

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