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Stand — United Society of Believers in Christ’s Second Appearing (“Shakers”)1825–50Within fifty years of 1825–50
3384
Ono no Komachi Washing the Copybook (Soshiarai Komachi), from the series The Seven Ukiyo-e Aspects of Komachi (Ukiyo-e nana Komachi)Torii KiyonagaEdo period (1615–1868), about 1779The Art Institute of Chicago
Panel (Dress Fabric)France1775/1800The Art Institute of Chicago
Title Page and Design for the Letters A and BN. Bruchon, French, active 18th century1775–87Cooper Hewitt, Smithsonian Design Museum
The Letter SGiovanni Battista Betti, Italian, active 1754 - 17771775Cooper Hewitt, Smithsonian Design Museum
A Radish Plant, Seed, and FlowerUnknownlate 18th centuryMetropolitan Museum of Art, New York, NY
Design for a Memorial TabletGiuseppe Barberi, Italian, 1746–18091775–1800Cooper Hewitt, Smithsonian Design Museum
Escutcheon as an overdoorGiuseppe Barberi, Italian, 1746–1809ca. 1775Cooper Hewitt, Smithsonian Design Museum
Chandelier Design (Title Page Before Lettering)Jean François Forty, active 1775 – 17901775–94Cooper Hewitt, Smithsonian Design MuseumAlso at Metropolitan Museum of Art, New York, NY
532
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY
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Made in the nineteenth century, like Stand.
