[Fort Brady, Va. Entrance to magazine] — Unknown, 1864.

[Fort Brady, Va. Entrance to magazine], Unknown

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Rights

Credit: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA https://hdl.loc.gov/loc.pnp/pp.print
Licence: PDM-1.0
Evidence: loc.gov item 2018666619: rights_advisory="No known restrictions on publication. For information, see \"Civil war photographs, 1861-1865,\" https://www.loc.gov/rr/print/res/120_cwar.html" (read 2026-09-01)
Record: https://www.loc.gov/item/2018666619/

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of 1864.

3093

Hampstead, Stormy Sky, Style of John Constable — Hampstead, Stormy SkyStyle of John Constable1814The Art Institute of Chicago

Teach Yourself How to Dance (Odori hitori keiko) 踊独稽古; 酒宴即興踊独稽古(しゅえんそっきょうおどりひとりげいこ), Sanshōsai — Teach Yourself How to Dance (Odori hitori keiko) 踊独稽古; 酒宴即興踊独稽古(しゅえんそっきょうおどりひとりげいこ)Sanshōsai1814, first month (Bunka 11)Metropolitan Museum of Art, New York, NY

Decorative Studies; Verso: Barbarian Head in Profile from the AntiqueFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

Decorative Study; Verso: Two Head Studies, Felice Giani, Italian, 1758–1823 — Decorative Study; Verso: Two Head StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

Decorative Study; Verso: Anatomical Study, Felice Giani, Italian, 1758–1823 — Decorative Study; Verso: Anatomical StudyFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

Eight Studies of Friezes and Candelabrum, Felice Giani, Italian, 1758–1823 — Eight Studies of Friezes and CandelabrumFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

Four Decorative Studies of Ceilings; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823 — Four Decorative Studies of Ceilings; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

Decorative Studies; Verso: Anatomical Studies, Felice Giani, Italian, 1758–1823 — Decorative Studies; Verso: Anatomical StudiesFelice Giani, Italian, 1758–18231814–18Cooper Hewitt, Smithsonian Design Museum

Also at Library of Congress

103

The Annunciation, Schongauer, Martin, active 15th century, artist — The AnnunciationSchongauer, Martin, active 15th century, artist[14--]Library of Congress

[Adoration of the Magi] / AD [monogram]., Dürer, Albrecht, 1471-1528, artist — [Adoration of the Magi] / AD [monogram].Dürer, Albrecht, 1471-1528, artist[Nuremberg], [1503]Library of Congress

[Small Passion. The expulsion from Paradise] / AD., Dürer, Albrecht, 1471-1528, artist — [Small Passion. The expulsion from Paradise] / AD.Dürer, Albrecht, 1471-1528, artist1510.Library of Congress

[Adoration of the Magi] / AD [monogram]., Dürer, Albrecht, 1471-1528, artist — [Adoration of the Magi] / AD [monogram].Dürer, Albrecht, 1471-1528, artist[Nuremberg], [1511]Library of Congress

[Last Supper] / AD [monogram]., Dürer, Albrecht, 1471-1528, artist — [Last Supper] / AD [monogram].Dürer, Albrecht, 1471-1528, artist1523.Library of Congress

[Title page of Opera quae ad nos extant omnia, with Froben family device of caduceus clasped by two hands], Hippocrates. — [Title page of Opera quae ad nos extant omnia, with Froben family device of caduceus clasped by two hands]Hippocrates.[published 1546]Library of Congress

The adoration of the Magi / AA [monogram of Andrea Andreani] MDCV., Vicentino, Giuseppe Niccolo, approximately 1510-, artist; Parmigianino, 1503-1540.; Andreani, Andrea, approximately 1560-1623. — The adoration of the Magi / AA [monogram of Andrea Andreani] MDCV.Vicentino, Giuseppe Niccolo, approximately 1510-, artist; Parmigianino, 1503-1540.; Andreani, Andrea, approximately 1560-1623.1605.Library of Congress

[The Young St. John the Baptist], Murillo, Bartolomé Esteban, 1617-1682, artist — [The Young St. John the Baptist]Murillo, Bartolomé Esteban, 1617-1682, artist[Spain, probably Seville], [between 1650 and 1659]Library of Congress

Similar picturesFound by visual likeness

1 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

[Fort Sedgwick]/[Fort Price]. Brady album, p. 27, Timothy H. O'Sullivan — [Fort Sedgwick]/[Fort Price]. Brady album, p. 27Timothy H. O'Sullivan1861–65Metropolitan Museum of Art, New York, NY

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Made in the nineteenth century, like [Fort Brady, Va. Entrance to magazine].

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