
Of
No subject recorded yet.
Mullein in Bloom — Eugène Atget (French, 1857–1927)c. 1897–1899Also by Eugène Atget (French, 1857–1927)
7
Rue de la Montagne-Sainte-GenevièveEugène Atget (French, 1857–1927)1898Cleveland Museum of Art
Rue du RegardEugène Atget (French, 1857–1927)1899Cleveland Museum of Art
Versailles, Fountain of Triumphant FranceEugène Atget (French, 1857–1927)1904Cleveland Museum of Art
Versailles, Chaste VenusEugène Atget (French, 1857–1927)1922–1923Cleveland Museum of Art
Versailles, Fountain of EnceladusEugène Atget (French, 1857–1927)1922–1923Cleveland Museum of Art
NymphéaEugène Atget (French, 1857–1927)1922–23Cleveland Museum of Art
The Park at Sceaux [April 1925, 7a.m.]Eugène Atget (French, 1857–1927)1925Cleveland Museum of ArtWithin fifty years of c. 1897–1899
3805
Shirasuka: Shiomi Slope,no. 33 from the series Fifty-Three Stations of the Tokaido (Tōkaidō gojūsan tsugi)Utagawa Hiroshige1847-52The Art Institute of Chicago
Friendship QuiltElla Maria Deacon1842The Art Institute of Chicago
Drawing RoomUnknown, Englishca. 1842Cooper Hewitt, Smithsonian Design Museum
SamplerUnknown1842Cooper Hewitt, Smithsonian Design Museum
Study of HandsJean-Auguste-Dominique Ingres (French, 1780–1867)1842Cleveland Museum of Art
The Abandonment of AriadneHonoré Daumier (French, 1808–1879); Aubert1842Cleveland Museum of Art
A skeleton leaning on a spade. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection
An écorché figure seen from the front. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome CollectionAlso at Cleveland Museum of Art
385
Next
Made in the nineteenth century, like Mullein in Bloom.