Mullein in Bloom, Eugène Atget (French, 1857–1927)

Seen

Not described yet.


Of

No subject recorded yet.


Means

No reading yet.


Rights

Credit
John L. Severance Fund
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 165408 (read 2026-08-27)
Record
https://clevelandart.org/art/2007.26
Mullein in Bloom, Eugène Atget (French, 1857–1927)
Mullein in Bloom — Eugène Atget (French, 1857–1927)c. 1897–1899

Also by Eugène Atget (French, 1857–1927)

7
Rue de la Montagne-Sainte-Geneviève, Eugène Atget (French, 1857–1927)
Rue de la Montagne-Sainte-GenevièveEugène Atget (French, 1857–1927)1898Cleveland Museum of Art
Rue du Regard, Eugène Atget (French, 1857–1927)
Rue du RegardEugène Atget (French, 1857–1927)1899Cleveland Museum of Art
Versailles, Fountain of Triumphant France, Eugène Atget (French, 1857–1927)
Versailles, Fountain of Triumphant FranceEugène Atget (French, 1857–1927)1904Cleveland Museum of Art
Versailles, Chaste Venus, Eugène Atget (French, 1857–1927)
Versailles, Chaste VenusEugène Atget (French, 1857–1927)1922–1923Cleveland Museum of Art
Versailles, Fountain of Enceladus, Eugène Atget (French, 1857–1927)
Versailles, Fountain of EnceladusEugène Atget (French, 1857–1927)1922–1923Cleveland Museum of Art
Nymphéa, Eugène Atget (French, 1857–1927)
NymphéaEugène Atget (French, 1857–1927)1922–23Cleveland Museum of Art
The Park at Sceaux [April 1925, 7a.m.], Eugène Atget (French, 1857–1927)
The Park at Sceaux [April 1925, 7a.m.]Eugène Atget (French, 1857–1927)1925Cleveland Museum of Art

Within fifty years of c. 1897–1899

3805
Shirasuka: Shiomi Slope,no. 33 from the series Fifty-Three Stations of the Tokaido (Tōkaidō gojūsan tsugi), Utagawa Hiroshige
Shirasuka: Shiomi Slope,no. 33 from the series Fifty-Three Stations of the Tokaido (Tōkaidō gojūsan tsugi)Utagawa Hiroshige1847-52The Art Institute of Chicago
Friendship Quilt, Ella Maria Deacon
Friendship QuiltElla Maria Deacon1842The Art Institute of Chicago
Drawing Room, Unknown, English
Drawing RoomUnknown, Englishca. 1842Cooper Hewitt, Smithsonian Design Museum
Sampler, Unknown
SamplerUnknown1842Cooper Hewitt, Smithsonian Design Museum
Study of Hands, Jean-Auguste-Dominique Ingres (French, 1780–1867)
Study of HandsJean-Auguste-Dominique Ingres (French, 1780–1867)1842Cleveland Museum of Art
The Abandonment of Ariadne, Honoré Daumier (French, 1808–1879); Aubert
The Abandonment of AriadneHonoré Daumier (French, 1808–1879); Aubert1842Cleveland Museum of Art
A skeleton leaning on a spade. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543., Andreas Vesalius; John Tinney
A skeleton leaning on a spade. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection
An écorché figure seen from the front. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543., Andreas Vesalius; John Tinney
An écorché figure seen from the front. Line engraving by J. Tinney, 1743, after A. Vesalius, 1543.Andreas Vesalius; John Tinney1842Wellcome Collection

Also at Cleveland Museum of Art

385
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Next

Made in the nineteenth century, like Mullein in Bloom.

0:00–0:00