Susanna Anderson Rose — Frederick Sandys (British, 1829–1904), 1862

Susanna Anderson Rose, Frederick Sandys (British, 1829–1904)

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Rights

Credit: Mr. and Mrs. William H. Marlatt Fund
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 149769 (read 2026-09-01)
Record: https://clevelandart.org/art/1979.81

Also by Frederick Sandys (British, 1829–1904)

1

The Coral Necklace, Frederick Sandys (British, 1829–1904) — The Coral NecklaceFrederick Sandys (British, 1829–1904)1871Cleveland Museum of Art

Within fifty years of 1862

4332

Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F, Francisco José de Goya y Lucientes — Three Men Carrying a Wounded Soldier, from the Images of Spain, Album FFrancisco José de Goya y Lucientes1812/20The Art Institute of Chicago

Legs and Feet of Male Nude, Michelangelo Buonarroti — Legs and Feet of Male NudeMichelangelo Buonarroti1812/50The Art Institute of Chicago

An Exquisite, George Cruikshank — An ExquisiteGeorge Cruikshankca. 1817Metropolitan Museum of Art, New York, NY

Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and Eagle, Felice Giani, Italian, 1758–1823 — Sketchbook Page, Folio 95: Three Paintings after Giulio Romano; Verso: Lion and EagleFelice Giani, Italian, 1758–18231812–14Cooper Hewitt, Smithsonian Design Museum

Sketchbook Page, Folio 98: Two Paintings after Caravaggio and Raphael; Verso: Eagle and Ox, Felice Giani, Italian, 1758–1823 — Sketchbook Page, Folio 98: Two Paintings after Caravaggio and Raphael; Verso: Eagle and OxFelice Giani, Italian, 1758–18231812–14Cooper Hewitt, Smithsonian Design Museum

Autolycus, Lumb Stocks, British, 1812 - 1892 — AutolycusLumb Stocks, British, 1812 - 18921812-1892Cooper Hewitt, Smithsonian Design Museum

Frontispiece, François-Joseph Bélanger, French, 1744–1818 — FrontispieceFrançois-Joseph Bélanger, French, 1744–18181812Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknownca. 1812Cooper Hewitt, Smithsonian Design Museum

Also at Cleveland Museum of Art

387

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Stele of Shemai, Unknown — Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art

Relief of Hatshepsut or Tuthmosis III, Unknown — Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Nefertiti Offers to the Aten, Unknown — Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art

Tomb Relief of the Chief Physician Amenhotep and Family, Unknown — Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art

Stele of the High Priest of Ptah, Shedsunefertem, Unknown — Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

1 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Mère Grégoire, Gustave Courbet — Mère GrégoireGustave Courbet1855, reworked 1857–59The Art Institute of Chicago

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Made in the nineteenth century, like Susanna Anderson Rose.

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