Mount Sainte-Victoire, Paul Cezanne (French, 1839–1906)

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Credit
Bequest of Leonard C. Hanna Jr.
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 135185 (read 2026-08-27)
Record
https://clevelandart.org/art/1958.21
Mount Sainte-Victoire, Paul Cezanne (French, 1839–1906)
Mount Sainte-Victoire — Paul Cezanne (French, 1839–1906)c. 1904

Also by Paul Cezanne (French, 1839–1906)

7
Sketch of Anatomical Sculpture (recto) Sketch of Madame Cézanne (verso) , Paul Cezanne (French, 1839–1906)
Sketch of Anatomical Sculpture (recto) Sketch of Madame Cézanne (verso) Paul Cezanne (French, 1839–1906)1881–84Cleveland Museum of Art
Sketch of Madame Cézanne (verso), Paul Cezanne (French, 1839–1906)
Sketch of Madame Cézanne (verso)Paul Cezanne (French, 1839–1906)1881/84Cleveland Museum of Art
Sketch of Anatomical Sculpture (recto), Paul Cezanne (French, 1839–1906)
Sketch of Anatomical Sculpture (recto)Paul Cezanne (French, 1839–1906)1881/84Cleveland Museum of Art
Footpath in the Woods, Paul Cezanne (French, 1839–1906)
Footpath in the WoodsPaul Cezanne (French, 1839–1906)1882–84Cleveland Museum of Art
The Pigeon Tower at Bellevue, Paul Cezanne (French, 1839–1906)
The Pigeon Tower at BellevuePaul Cezanne (French, 1839–1906)1890Cleveland Museum of Art
The Brook, Paul Cezanne (French, 1839–1906)
The BrookPaul Cezanne (French, 1839–1906)c. 1895–1900Cleveland Museum of Art
The Bathers (Large Plate), Paul Cezanne (French, 1839–1906)
The Bathers (Large Plate)Paul Cezanne (French, 1839–1906)1896–97Cleveland Museum of Art

Within fifty years of c. 1904

3743
Clarke's Relief Globe, J.M. Attwood
Clarke's Relief GlobeJ.M. Attwood1849Cooper Hewitt, Smithsonian Design Museum
Portrait of a Woman in Fur, Unknown
Portrait of a Woman in FurUnknown1849Cooper Hewitt, Smithsonian Design Museum
The Grenadier and the Nun, Unknown
The Grenadier and the NunUnknown1849Cooper Hewitt, Smithsonian Design Museum
Four Designs for Furniture Legs, Richard de Lalonde, French, active 1780–96
Four Designs for Furniture LegsRichard de Lalonde, French, active 1780–961849–66Cooper Hewitt, Smithsonian Design Museum
Arab Horseman Attacked by a Lion, Eugène Delacroix
Arab Horseman Attacked by a LionEugène Delacroix1849–50The Art Institute of Chicago
New triumphs of American art! Will be exhibited one week only! previous to their departure for the South, commencing on Monday, November 12, at Ledyard Hall,, Unknown
New triumphs of American art! Will be exhibited one week only! previous to their departure for the South, commencing on Monday, November 12, at Ledyard Hall,UnknownNew London : Star and Democrat, Cheap Job Press, [1849]Library of Congress
The Last Supper, Bradshaw & Blacklock
The Last SupperBradshaw & Blacklockca. 1854Yale Center for British Art
Head, Fang
HeadFangMid–late 19th centuryThe Art Institute of Chicago

Also at Cleveland Museum of Art

400
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

6 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Brook, Paul Cezanne (French, 1839–1906)
The BrookPaul Cezanne (French, 1839–1906)c. 1895–1900Cleveland Museum of Art
0.85
Houses at Murnau, Vasily Kandinsky
Houses at MurnauVasily Kandinsky1909The Art Institute of Chicago
0.84
Forest, Arnold William Brunner, American, 1857–1925
ForestArnold William Brunner, American, 1857–19251891Cooper Hewitt, Smithsonian Design Museum
0.84
Albano, Italy, George Inness (American, 1825–1894)
Albano, ItalyGeorge Inness (American, 1825–1894)c. 1872Cleveland Museum of Art
0.84
The Bathers, Paul Cezanne
The BathersPaul Cezanne1899-1904The Art Institute of Chicago
0.84
Sunset, Eugène Delacroix
SunsetEugène Delacroixca. 1850Metropolitan Museum of Art, New York, NY
0.83

In the stacks

Not yet checked
2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    In 1902, during the young American’s first visit to Paris, the Impressionists were still at the height of their influence, and it was natural that he should have entered heartily into their methods. Men like Monet and Pissarro, who were absorbed in the inter-relation of light and color, appealed to his imagination and for a time he painted in their manner. And when he, like others among the moderns, saw and accepted the revolutionizing ideas which Cezanne was proclaiming on every canvas, he took with him into the new field
    0.71
  2. Art · Clive Bell

    For a few fortunate years or decades the output of considerable art is great. Suddenly it ceases; or slowly it dwindles: a movement has exhausted itself. How far a movement is made by the fortuitous synchronisation of a number of good artists, and how far the artists are helped to the creation of significant form by the pervasion of some underlying spirit of the age, is a question that can never be decided beyond cavil. But however the credit is to be apportioned--and I suspect it should be divided about
    0.68

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Made in the nineteenth century, like Mount Sainte-Victoire.

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