The Brook, Paul Cezanne (French, 1839–1906)

Seen

Not described yet.


Of

No subject recorded yet.


Means

No reading yet.


Rights

Credit
Bequest of Leonard C. Hanna Jr.
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 135173 (read 2026-08-27)
Record
https://clevelandart.org/art/1958.20
The Brook, Paul Cezanne (French, 1839–1906)
The Brook — Paul Cezanne (French, 1839–1906)c. 1895–1900

Also by Paul Cezanne (French, 1839–1906)

7
Sketch of Anatomical Sculpture (recto) Sketch of Madame Cézanne (verso) , Paul Cezanne (French, 1839–1906)
Sketch of Anatomical Sculpture (recto) Sketch of Madame Cézanne (verso) Paul Cezanne (French, 1839–1906)1881–84Cleveland Museum of Art
Sketch of Madame Cézanne (verso), Paul Cezanne (French, 1839–1906)
Sketch of Madame Cézanne (verso)Paul Cezanne (French, 1839–1906)1881/84Cleveland Museum of Art
Sketch of Anatomical Sculpture (recto), Paul Cezanne (French, 1839–1906)
Sketch of Anatomical Sculpture (recto)Paul Cezanne (French, 1839–1906)1881/84Cleveland Museum of Art
Footpath in the Woods, Paul Cezanne (French, 1839–1906)
Footpath in the WoodsPaul Cezanne (French, 1839–1906)1882–84Cleveland Museum of Art
The Pigeon Tower at Bellevue, Paul Cezanne (French, 1839–1906)
The Pigeon Tower at BellevuePaul Cezanne (French, 1839–1906)1890Cleveland Museum of Art
The Bathers (Large Plate), Paul Cezanne (French, 1839–1906)
The Bathers (Large Plate)Paul Cezanne (French, 1839–1906)1896–97Cleveland Museum of Art
Mount Sainte-Victoire, Paul Cezanne (French, 1839–1906)
Mount Sainte-VictoirePaul Cezanne (French, 1839–1906)c. 1904Cleveland Museum of Art

Within fifty years of c. 1895–1900

3771
Pierrot, Paul Gavarni (French, 1804–1866)
PierrotPaul Gavarni (French, 1804–1866)c. 1850–60Cleveland Museum of Art
Textile, Unknown
TextileUnknownca. 1845Cooper Hewitt, Smithsonian Design Museum
Bandbox, Unknown
BandboxUnknown1845–50Cooper Hewitt, Smithsonian Design Museum
The Study of King Louis-Philippe at Neuilly, James Roberts, British, active France, ca. 1800–1867
The Study of King Louis-Philippe at NeuillyJames Roberts, British, active France, ca. 1800–18671845Cooper Hewitt, Smithsonian Design Museum
Studies of a Child's Left Foot, Daniel Huntington, American, 1816–1906
Studies of a Child's Left FootDaniel Huntington, American, 1816–19061845–55Cooper Hewitt, Smithsonian Design Museum
Button, Unknown
ButtonUnknown1845–55Cooper Hewitt, Smithsonian Design Museum
Sidewall, Unknown
SidewallUnknown1845–55Cooper Hewitt, Smithsonian Design Museum
Sunset, Eugène Delacroix
SunsetEugène Delacroixca. 1850Metropolitan Museum of Art, New York, NY

Also at Cleveland Museum of Art

394
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Mount Sainte-Victoire, Paul Cezanne (French, 1839–1906)
Mount Sainte-VictoirePaul Cezanne (French, 1839–1906)c. 1904Cleveland Museum of Art
0.85
Trees and Houses Near the Jas de Bouffan, Paul Cézanne
Trees and Houses Near the Jas de BouffanPaul Cézanne1885–86Metropolitan Museum of Art, New York, NY
0.84
The Poet's Garden, Vincent van Gogh
The Poet's GardenVincent van Gogh1888The Art Institute of Chicago
0.84
Water Lily Pond, Claude Monet
Water Lily PondClaude Monet1900The Art Institute of Chicago
0.84
Landscape with Two Poplars, Vasily Kandinsky
Landscape with Two PoplarsVasily Kandinsky1912The Art Institute of Chicago
0.84
Mont Sainte-Victoire and the Viaduct of the Arc River Valley, Paul Cézanne
Mont Sainte-Victoire and the Viaduct of the Arc River ValleyPaul Cézanne1882–85Metropolitan Museum of Art, New York, NY
0.83
Bordighera, Claude Monet
BordigheraClaude Monet1884The Art Institute of Chicago
0.83
The Red Bridge, Julian Alden Weir
The Red BridgeJulian Alden Weir1895Metropolitan Museum of Art, New York, NY
0.83

In the stacks

Not yet checked
2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    In 1902, during the young American’s first visit to Paris, the Impressionists were still at the height of their influence, and it was natural that he should have entered heartily into their methods. Men like Monet and Pissarro, who were absorbed in the inter-relation of light and color, appealed to his imagination and for a time he painted in their manner. And when he, like others among the moderns, saw and accepted the revolutionizing ideas which Cezanne was proclaiming on every canvas, he took with him into the new field
    0.71
  2. Art · Clive Bell

    For a few fortunate years or decades the output of considerable art is great. Suddenly it ceases; or slowly it dwindles: a movement has exhausted itself. How far a movement is made by the fortuitous synchronisation of a number of good artists, and how far the artists are helped to the creation of significant form by the pervasion of some underlying spirit of the age, is a question that can never be decided beyond cavil. But however the credit is to be apportioned--and I suspect it should be divided about
    0.68

Next

Made in the nineteenth century, like The Brook.

0:00–0:00