A plant with two children growing out of the buds., woodcut,, Unknown

Seen

Not described yet.


Of

No subject recorded yet.


Means

No reading yet.


Rights

Credit
Wellcome Collection. Public Domain Mark.
Licence
PDM-1.0
Evidence
api.wellcomecollection.org catalogue v2: items[].locations[].license.id=pdm on the iiif-image location of work urwb5rqz (read 2026-09-02)
Record
https://wellcomecollection.org/works/urwb5rqz
IIIF
manifest
A plant with two children growing out of the buds., woodcut,, Unknown
A plant with two children growing out of the buds., woodcut, — Unknown

Also by Unknown

5442
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Also at Wellcome Collection

30
An alchemist stoking a furnace, surrounded by well dressed onlookers: a banquet takes place in the background. Etching by C. Murer, ca. 1600-1614., Christoph Murer
An alchemist stoking a furnace, surrounded by well dressed onlookers: a banquet takes place in the background. Etching by C. Murer, ca. 1600-1614.Christoph Murer1622Wellcome Collection
Farm workers under a tree are making a basket, a plough and other agricultural implements. Engraving by Wenceslaus Hollar after F. Cleyn., Francis Cleyn; Wenceslaus Hollar; Carnarvon, Elizabeth Dormer, Countess of, 1633-1678.
Farm workers under a tree are making a basket, a plough and other agricultural implements. Engraving by Wenceslaus Hollar after F. Cleyn.Francis Cleyn; Wenceslaus Hollar; Carnarvon, Elizabeth Dormer, Countess of, 1633-1678.[1654]Wellcome Collection
An anatomy theatre with statues of the anatomists Vesalius and Spigelius; a corpse on a table in the background. Engraving, 1672., Isbrand van Diemerbroeck
An anatomy theatre with statues of the anatomists Vesalius and Spigelius; a corpse on a table in the background. Engraving, 1672.Isbrand van Diemerbroeck1672Wellcome Collection
Muscles of the face and neck. Engraving, 1686., Steven Blankaart; Govert Bidloo
Muscles of the face and neck. Engraving, 1686.Steven Blankaart; Govert Bidloo[1686]Wellcome Collection
The base of the brain with part of the medulla oblongata, the blood vessels injected with wax, and the cerebellum (Table XII, figs 1-2), after Cowper in Ridley (1695); the foetal heart, the larynx and the viscera (Table XIII), after an etching by G. Vandergucht in Cheselden (1740) Etching by I. Basire, 1743., Isaac Basire; Robert James; Humphrey Ridley; William Cheselden; Gerard Vandergucht; William Cowper
The base of the brain with part of the medulla oblongata, the blood vessels injected with wax, and the cerebellum (Table XII, figs 1-2), after Cowper in Ridley (1695); the foetal heart, the larynx and the viscera (Table XIII), after an etching by G. Vandergucht in Cheselden (1740) Etching by I. Basire, 1743.Isaac Basire; Robert James; Humphrey Ridley; William Cheselden; Gerard Vandergucht; William Cowper[1743]Wellcome Collection
A human skeleton, seen from the front, resting the bones of his left forearm on a spade handle, after Vesalius. Engraving 1769, after Prevost, 1762, after a woodcut, 1543., Jean Le Rond d'Alembert; Denis Diderot; Andreas Vesalius; Benoît-Louis Prévost; Hinde, M., active 18th century
A human skeleton, seen from the front, resting the bones of his left forearm on a spade handle, after Vesalius. Engraving 1769, after Prevost, 1762, after a woodcut, 1543.Jean Le Rond d'Alembert; Denis Diderot; Andreas Vesalius; Benoît-Louis Prévost; Hinde, M., active 18th century[1769]Wellcome Collection
A yellow iris (Iris variegata): flower and leaf. Coloured engraving by J. Sowerby, c. 1787, after himself., James Sowerby; William Curtis
A yellow iris (Iris variegata): flower and leaf. Coloured engraving by J. Sowerby, c. 1787, after himself.James Sowerby; William Curtis1787Wellcome Collection
A houseleek (Sempervivum arachnoideum): flowering plant. Coloured engraving, c. 1788., William Curtis
A houseleek (Sempervivum arachnoideum): flowering plant. Coloured engraving, c. 1788.William Curtis1788Wellcome Collection

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Print, Jean-Baptiste Pillement, French, 1728–1808
PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum
0.85
Design for a Corsage, Unknown
Design for a CorsageUnknownmid- 19th centuryCooper Hewitt, Smithsonian Design Museum
0.84
Print, Jean-Baptiste Pillement, French, 1728–1808
PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum
0.84
Print, Jean-Baptiste Pillement, French, 1728–1808
PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum
0.84
Print, Jean-Baptiste Pillement, French, 1728–1808
PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum
0.84
Print, Jean-Baptiste Pillement, French, 1728–1808
PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum
0.84
Necklace design: Project for a rincauex to be engraved on metal, Unknown
Necklace design: Project for a rincauex to be engraved on metalUnknown16th centuryCooper Hewitt, Smithsonian Design Museum
0.84
0:00–0:00