Sketch of Hop Vine — Samuel Colman, American, 1832–1920, 1880

Sketch of Hop Vine, Samuel Colman, American, 1832–1920

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Rights

Credit: Gift of Mrs. Samuel Colman
Licence: CC0-1.0
Evidence: api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1939-85-46-b (read 2026-09-01)
Record: https://collection.cooperhewitt.org/view/objects/asitem/id/72070

Also by Samuel Colman, American, 1832–1920

5

Head of a Cow, Samuel Colman, American, 1832–1920 — Head of a CowSamuel Colman, American, 1832–19201860–70Cooper Hewitt, Smithsonian Design Museum

Fishermens' Sail Boats, Samuel Colman, American, 1832–1920 — Fishermens' Sail BoatsSamuel Colman, American, 1832–19201872Cooper Hewitt, Smithsonian Design Museum

Maple Leaves, Mt. Desert, Samuel Colman, American, 1832–1920 — Maple Leaves, Mt. DesertSamuel Colman, American, 1832–1920July 1877Cooper Hewitt, Smithsonian Design Museum

Leaf Studies, Samuel Colman, American, 1832–1920 — Leaf StudiesSamuel Colman, American, 1832–1920ca. 1880Cooper Hewitt, Smithsonian Design Museum

Flower Studies (Four Designs for Circular Ornaments), Samuel Colman, American, 1832–1920 — Flower Studies (Four Designs for Circular Ornaments)Samuel Colman, American, 1832–19201880–90Cooper Hewitt, Smithsonian Design Museum

Within fifty years of 1880

4060

No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", Utagawa Hiroshige — No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"Utagawa Hiroshigec. 1835/38The Art Institute of Chicago

No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)", Utagawa Hiroshige — No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"Utagawa Hiroshigec. 1835/38The Art Institute of Chicago

Ōmori, from the series Famous Places in the Eastern Capital, Utagawa Kuniyoshi (Japanese, 1797–1861) — Ōmori, from the series Famous Places in the Eastern CapitalUtagawa Kuniyoshi (Japanese, 1797–1861)early 1830sCleveland Museum of Art

South Wind, Clear Sky, from Thirty-Six Views of Mount Fuji, Katsushika Hokusai (Japanese, 1760–1849) — South Wind, Clear Sky, from Thirty-Six Views of Mount FujiKatsushika Hokusai (Japanese, 1760–1849)early 1830sCleveland Museum of Art

Trade Card of John Williams, Clothier, Unknown — Trade Card of John Williams, ClothierUnknownca. 1830Cooper Hewitt, Smithsonian Design Museum

Botanical Specimen, William Henry Fox Talbot — Botanical SpecimenWilliam Henry Fox Talbotc. 1835The Art Institute of Chicago

Bandbox, Unknown — BandboxUnknown1830–40Cooper Hewitt, Smithsonian Design Museum

Pieced Quilt (Honeycomb), Unidentified — Pieced Quilt (Honeycomb)Unidentifiedca. 1830Smithsonian American Art Museum

Also at Cooper Hewitt, Smithsonian Design Museum

6999

Tiraz fragment, Unknown — Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Vessel, Unknown — VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Study of landscape, William Stanley Haseltine, American, 1835–1900 — Study of landscapeWilliam Stanley Haseltine, American, 1835–1900ca. 1855Cooper Hewitt, Smithsonian Design Museum

0.90

Nevers and Bourges, Arnold William Brunner, American, 1857–1925 — Nevers and BourgesArnold William Brunner, American, 1857–19251883Cooper Hewitt, Smithsonian Design Museum

0.89

Study of foliage, William Stanley Haseltine, American, 1835–1900 — Study of foliageWilliam Stanley Haseltine, American, 1835–1900ca. 1857Cooper Hewitt, Smithsonian Design Museum

0.88

Study of foliage, William Trost Richards, American, 1833–1905 — Study of foliageWilliam Trost Richards, American, 1833–19051865–1870Cooper Hewitt, Smithsonian Design Museum

0.88

Study of seascape, William Stanley Haseltine, American, 1835–1900 — Study of seascapeWilliam Stanley Haseltine, American, 1835–1900ca. 1855Cooper Hewitt, Smithsonian Design Museum

0.88

Study of landscape, William Stanley Haseltine, American, 1835–1900 — Study of landscapeWilliam Stanley Haseltine, American, 1835–1900ca. 1855Cooper Hewitt, Smithsonian Design Museum

0.87

Sketchbook, page 39: Maine Landscape Vignittes, Sanford Robinson Gifford (American, 1823–1880) — Sketchbook, page 39: Maine Landscape VignittesSanford Robinson Gifford (American, 1823–1880)1859Cleveland Museum of Art

0.87

Sketchbook, page 37: Maine Landscape Vignittes, Sanford Robinson Gifford (American, 1823–1880) — Sketchbook, page 37: Maine Landscape VignittesSanford Robinson Gifford (American, 1823–1880)1859Cleveland Museum of Art

0.87

Next

Made in the nineteenth century, like Sketch of Hop Vine.

The Annunciation1887
The Bay of Marseille, Seen from L'Estaque1880
Armchair1880
Blanket1880

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