Sideboard for Silver, Domenico Bolognese, Italian, active 17th century

Seen

Not described yet.

Of

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Means

No reading yet.

Rights

Credit
Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1938-88-2596-a (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/63005
Sideboard for Silver, Domenico Bolognese, Italian, active 17th century
Sideboard for Silver — Domenico Bolognese, Italian, active 17th centurylate 17th century

Also at Cooper Hewitt, Smithsonian Design Museum

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Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
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Textile, Unknown
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Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Design for a Brooch, Unknown
Design for a BroochUnknownmid- 18th centuryCooper Hewitt, Smithsonian Design Museum
0.90
Design for an Earring, Unknown
Design for an EarringUnknownlate 18th centuryCooper Hewitt, Smithsonian Design Museum
0.90
Monstrance, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773
MonstranceJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum
0.90
Design for an Earring, Unknown
Design for an EarringUnknownlate 18th centuryCooper Hewitt, Smithsonian Design Museum
0.88
Design for an Earring, Unknown
Design for an EarringUnknownlate 18th centuryCooper Hewitt, Smithsonian Design Museum
0.88
Design for an Earring, Unknown
Design for an EarringUnknownlate 18th centuryCooper Hewitt, Smithsonian Design Museum
0.88
Design for an Earring, Unknown
Design for an EarringUnknownca. 1780Cooper Hewitt, Smithsonian Design Museum
0.88
Design for a Monstrance, Unknown
Design for a MonstranceUnknownmid- 18th centuryCooper Hewitt, Smithsonian Design Museum
0.88

In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Renaissance in Italy, Volumes 6 and 7 (of 7) · John Addington Symonds

    Claudio Monteverde, who may be termed the pioneer of _recitativo_, in his opera of _Orfeo_; Giacomo Carissimi, in whose _Jephtha_ the form of the Oratorio it already outlined, were the most eminent masters of the school which took its origin in the Florentine Academy of the Palazzo Vernio. To pursue the subject further, would be to transgress the chronological limits of my subject. It is enough to have attempted in this chapter to show how the destinies of Italian music were secured and its species determined in the last quarter
    0.69

  2. Renaissance in Italy, Volumes 6 and 7 (of 7) · John Addington Symonds

    He will also bear in mind that the conditions of his own development--studies in the Elgin marbles, the application of photography to works of art, the publications of the Arundel Society, and that genius of new culture in the air which is more potent than all teaching, rendered for himself each oracular utterance interesting but comparatively unimportant--as it were but talk about truths evident to sight. Meanwhile, amid this gabble of 'sects and schisms,' this disputation which makes a simple mind take refuge in the epigram attributed to Swift on
    0.69
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