The Abduction of Helen from a set of The Story of Troy — Bernard Salomon, ca. 1625

The Abduction of Helen from a set of The Story of Troy, Bernard Salomon

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Soldiers, Men, Helen, Coat of Arms, Ships

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Rights

Credit: Gift of Louis E. Seley, 1979
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 229601 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/229601

Also by Bernard Salomon

7

Sacrifice of Noah, Bernard Salomon — Sacrifice of NoahBernard Salomonca. 1580–1610Metropolitan Museum of Art, New York, NY

Miniature collector's cabinet, Bernard Salomon — Miniature collector's cabinetBernard Salomonca. 1600Metropolitan Museum of Art, New York, NY

Valance with The Story of Moses, Bernard Salomon — Valance with The Story of MosesBernard Salomonca. 1600Metropolitan Museum of Art, New York, NY

Valance with The Story of Moses, Bernard Salomon — Valance with The Story of MosesBernard Salomonca. 1600Metropolitan Museum of Art, New York, NY

Valance with The Story of Moses, Bernard Salomon — Valance with The Story of MosesBernard Salomonca. 1600Metropolitan Museum of Art, New York, NY

The Sacrifice of Polyxena from a set of The Story of Troy, Bernard Salomon — The Sacrifice of Polyxena from a set of The Story of TroyBernard Salomonca. 1625Metropolitan Museum of Art, New York, NY

The Prophecy of Calchas from a set of The Story of Troy, Bernard Salomon — The Prophecy of Calchas from a set of The Story of TroyBernard Salomonca. 1625Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1625

912

The Prophet Joel, Giorgio Ghisi (Italian, 1520–1582); Michelangelo Buonarroti (Italian, 1475–1564) — The Prophet JoelGiorgio Ghisi (Italian, 1520–1582); Michelangelo Buonarroti (Italian, 1475–1564)early 1570sCleveland Museum of Art

from a series of 12 "Ornaments for Goldsmiths" Grotesques, Philip Galle, Flemish, 1537 - 1612 — from a series of 12 "Ornaments for Goldsmiths" GrotesquesPhilip Galle, Flemish, 1537 - 1612ca. 1570Cooper Hewitt, Smithsonian Design Museum

Wild Animal Hunt (frieze), Etienne Delaune, French, 1519 - 1583 — Wild Animal Hunt (frieze)Etienne Delaune, French, 1519 - 1583ca. 1570Cooper Hewitt, Smithsonian Design Museum

Design for a Tabernacle, Unknown — Design for a TabernacleUnknownca. 1570Cooper Hewitt, Smithsonian Design Museum

"The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet), Mustafa ibn Vali — "The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)", Folio from a Siyer-i Nebi (the Life of the Prophet)Mustafa ibn Valica. 1595Metropolitan Museum of Art, New York, NY

The Birth of Christ, Cherubino Alberti (Zaccaria Mattia) — The Birth of ChristCherubino Alberti (Zaccaria Mattia)1570–1615Metropolitan Museum of Art, New York, NY

Traumbuch Artemidori ... darinnen Ursprung, Unterscheid und Bedeutung, allerhand Träumen ... : sambt eyner Erinnerung Philippi Melanchtonis von Unterscheid der Träume unnd angehencktem Bericht, was von Träumen zu halten seie, Artemidorus — Traumbuch Artemidori ... darinnen Ursprung, Unterscheid und Bedeutung, allerhand Träumen ... : sambt eyner Erinnerung Philippi Melanchtonis von Unterscheid der Träume unnd angehencktem Bericht, was von Träumen zu halten seieArtemidorus1570Stiftung der Werke von C.G.Jung, Zürich

Pauli principis de la Scala et Hun ... primi tomi miscellaneorum, de rerum caussis & successibus atque secretiori methodo ibidem expressa effigies ac exemplar, nimirum vaticiniorum & imaginum Ioachimi abbatis Florensis Calabriae, & Anselmi episcopi Marsichani, super statu summorum pontificum Rhomanae ecclesiae, contra falsam, iniquam, vanam, confictam & seditiosam cuiusdam pseudomagi, quae nuper nomine Theophrasti Paracelsi in lucem prodiit, pseudomagicam expositionem vera, & certa, & indubitata| explanatio, Joachim — Pauli principis de la Scala et Hun ... primi tomi miscellaneorum, de rerum caussis & successibus atque secretiori methodo ibidem expressa effigies ac exemplar, nimirum vaticiniorum & imaginum Ioachimi abbatis Florensis Calabriae, & Anselmi episcopi Marsichani, super statu summorum pontificum Rhomanae ecclesiae, contra falsam, iniquam, vanam, confictam & seditiosam cuiusdam pseudomagi, quae nuper nomine Theophrasti Paracelsi in lucem prodiit, pseudomagicam expositionem vera, & certa, & indubitata| explanatioJoachim1570Stiftung der Werke von C.G.Jung, Zürich

Also at Metropolitan Museum of Art, New York, NY

672

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Prophecy of Calchas from a set of The Story of Troy, Bernard Salomon — The Prophecy of Calchas from a set of The Story of TroyBernard Salomonca. 1625Metropolitan Museum of Art, New York, NY

0.95

The Sacrifice of Polyxena from a set of The Story of Troy, Bernard Salomon — The Sacrifice of Polyxena from a set of The Story of TroyBernard Salomonca. 1625Metropolitan Museum of Art, New York, NY

0.95

Battle of the Forces of Krishna and Bana, from a copy of the Dispersed Bhagavat Purana, India
Delhi-Agra region, possibly Mathura — Battle of the Forces of Krishna and Bana, from a copy of the Dispersed Bhagavat PuranaIndia Delhi-Agra region, possibly Mathurac. 1520–1530The Art Institute of Chicago

0.89

Epigonation, Unknown — EpigonationUnknown17th–18th centuryCooper Hewitt, Smithsonian Design Museum

0.87

Altar Frontal: Scenes from the Childhood of Christ, Unknown — Altar Frontal: Scenes from the Childhood of ChristUnknownc. 1500Cleveland Museum of Art

0.85

Sidewall, Unknown — SidewallUnknownca. 1680Cooper Hewitt, Smithsonian Design Museum

0.84

Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona — Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and HerseGiovanni Battista Lodi da Cremonadesigned ca. 1540, woven ca. 1570Metropolitan Museum of Art, New York, NY

0.84

Sidewall, Unknown — SidewallUnknownca. 1680Cooper Hewitt, Smithsonian Design Museum

0.84

Next

Made in the seventeenth century, like The Abduction of Helen from a set of The Story of Troy.

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