Springtime — Pierre-Auguste Cot, 1873

Springtime, Pierre-Auguste Cot

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Couples, Men, Women, Forests
Wikidata depicts: woman, forest, man, swing, couple

Means

No reading yet.

Rights

Credit: Gift of Steven and Alexandra Cohen, 2012
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 438158 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/438158

Within fifty years of 1873

4146

Plate, from a Dessert Service, Sèvres Porcelain Manufactory, French, established 1756 — Plate, from a Dessert ServiceSèvres Porcelain Manufactory, French, established 17561823–1824Cooper Hewitt, Smithsonian Design Museum

Textile, Philippe Wyngaert — TextilePhilippe Wyngaert1823Cooper Hewitt, Smithsonian Design Museum

The Green Drawing Room of the Earl of Essex at Cassiobury, William Henry Hunt, British, 1790–1864 — The Green Drawing Room of the Earl of Essex at CassioburyWilliam Henry Hunt, British, 1790–18641823Cooper Hewitt, Smithsonian Design Museum

Friezes, Panels and Ornam, Gottfried Engelmann, 1788 – 1839 — Friezes, Panels and OrnamGottfried Engelmann, 1788 – 18391823Cooper Hewitt, Smithsonian Design Museum

The Natchez, Eugène Delacroix — The NatchezEugène Delacroix1823–24 and 1835Metropolitan Museum of Art, New York, NY

Armored Figure on Horseback (recto); Horse in Front of a Barn (verso), Eugène Delacroix (French, 1798–1863) — Armored Figure on Horseback (recto); Horse in Front of a Barn (verso)Eugène Delacroix (French, 1798–1863)c. 1828Cleveland Museum of Art

Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839), Jean Auguste Dominique Ingres — Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839)Jean Auguste Dominique Ingres1823Metropolitan Museum of Art, New York, NY

Amédée-David, the Comte de Pastoret, Jean Auguste Dominique Ingres — Amédée-David, the Comte de PastoretJean Auguste Dominique Ingres1823–26The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

503

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Next

Made in the nineteenth century, like Springtime.

0:00–0:00