The Love Letter — Jean Honoré Fragonard, early 1770s

The Love Letter, Jean Honoré Fragonard

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Women, Dogs
Wikidata depicts: dog, woman, window, lace, love letter, bouquet, cap, ribbon, neck ribbon

Means

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Rights

Credit: The Jules Bache Collection, 1949
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 436322 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/436322

Also by Jean Honoré Fragonard

14

Cloelia and Her Companions, Jean Honoré Fragonard — Cloelia and Her CompanionsJean Honoré Fragonardn.d.The Art Institute of Chicago

Roman Interior, Jean Honoré Fragonard — Roman InteriorJean Honoré Fragonardca. 1760Metropolitan Museum of Art, New York, NY

The Stolen Kiss, Jean Honoré Fragonard — The Stolen KissJean Honoré Fragonardca. 1760Metropolitan Museum of Art, New York, NY

The Stalled Cart, Jean Honoré Fragonard — The Stalled CartJean Honoré Fragonard1759The Art Institute of Chicago

Arbor with Two Children (Le Nid d'Armour), Jean Honoré Fragonard — Arbor with Two Children (Le Nid d'Armour)Jean Honoré Fragonard1760The Art Institute of Chicago

Saint Mark, Jean Honoré Fragonard — Saint MarkJean Honoré Fragonard1763/64The Art Institute of Chicago

Marie Emilie Coignet de Courson (1716–1806) with a Dog, Jean Honoré Fragonard — Marie Emilie Coignet de Courson (1716–1806) with a DogJean Honoré Fragonardca. 1769Metropolitan Museum of Art, New York, NY

Portrait of a Man in Costume, Jean Honoré Fragonard — Portrait of a Man in CostumeJean Honoré Fragonardc. 1767–68The Art Institute of Chicago

Within fifty years of early 1770s

3067

Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742 — Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum

Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742 — Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum

Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742 — Ornamental Design for the Letter BGilles-Marie Oppenord, French, 1672–1742ca. 1720Cooper Hewitt, Smithsonian Design Museum

Title Page, Johann Leonhard Eisler, German, 1672 – 1733 — Title PageJohann Leonhard Eisler, German, 1672 – 17331720–25Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknownca. 1720–30Cooper Hewitt, Smithsonian Design Museum

Textile, Unknown — TextileUnknownca. 1720Cooper Hewitt, Smithsonian Design Museum

Book paper, Unknown — Book paperUnknown1720–60Cooper Hewitt, Smithsonian Design Museum

Domino paper, Unknown — Domino paperUnknownca. 1720Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

624

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

4 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Marie Emilie Coignet de Courson (1716–1806) with a Dog, Jean Honoré Fragonard — Marie Emilie Coignet de Courson (1716–1806) with a DogJean Honoré Fragonardca. 1769Metropolitan Museum of Art, New York, NY

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Girl Standing before a Mirror, Caspar Netscher — Girl Standing before a MirrorCaspar Netscher1668The Art Institute of Chicago

0.85

The Two Sisters, Jean Honoré Fragonard — The Two SistersJean Honoré Fragonardca. 1769–70Metropolitan Museum of Art, New York, NY

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The Letter, or The Spanish Conversation, Jean Honoré Fragonard — The Letter, or The Spanish ConversationJean Honoré Fragonardc. 1778The Art Institute of Chicago

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Next

Jean Honoré Fragonard made The Love Letter, and made these too.

Made in the eighteenth century, like The Love Letter.

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

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