Louis Gueymard (1822–1880) as Robert le Diable — Gustave Courbet, 1857

Louis Gueymard (1822–1880) as Robert le Diable, Gustave Courbet

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Men, Portraits, Actors
Wikidata depicts: man, actor, Louis Guéymard

Means

No reading yet.

Rights

Credit: Gift of Elizabeth Milbank Anderson, 1919
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 436015 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/436015

Also by Gustave Courbet

23

Model Reading in the Studio, Gustave Courbet — Model Reading in the StudioGustave Courbetc. 1849The Art Institute of Chicago

The Brook of Les Puits-Noir, Gustave Courbet — The Brook of Les Puits-NoirGustave Courbetc. 1855The Art Institute of Chicago

The Apostle Jean Journet Setting Out for the Conquest of Universal Harmony, Gustave Courbet — The Apostle Jean Journet Setting Out for the Conquest of Universal HarmonyGustave Courbet1850National Gallery of Art

Young Ladies of the Village, Gustave Courbet — Young Ladies of the VillageGustave Courbet1851–52Metropolitan Museum of Art, New York, NY

Madame Auguste Cuoq (Mathilde Desportes, 1827–1910), Gustave Courbet — Madame Auguste Cuoq (Mathilde Desportes, 1827–1910)Gustave Courbetca. 1852–57Metropolitan Museum of Art, New York, NY

After the Hunt, Gustave Courbet — After the HuntGustave Courbetca. 1859Metropolitan Museum of Art, New York, NY

Mère Grégoire, Gustave Courbet — Mère GrégoireGustave Courbet1855, reworked 1857–59The Art Institute of Chicago

The Stream (Le Ruisseau du Puits-Noir; vallée de la Loue), Gustave Courbet — The Stream (Le Ruisseau du Puits-Noir; vallée de la Loue)Gustave Courbet1855National Gallery of Art

Within fifty years of 1857

4326

Study for "Napoleon at Eylau", Charles Meynier, 1768 – 1832 — Study for "Napoleon at Eylau"Charles Meynier, 1768 – 1832ca. 1807Cooper Hewitt, Smithsonian Design Museum

Sampler, Unknown — SamplerUnknown1807Cooper Hewitt, Smithsonian Design Museum

Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836 — Plate 19, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum

Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion), Carle Vernet, French, 1758–1836 — Plate 51, Costume Parisien (Parisian Costume), Journal des Dames et des Modes (Journal of Ladies and Fashion)Carle Vernet, French, 1758–18361807Cooper Hewitt, Smithsonian Design Museum

Sampler, Unknown — SamplerUnknown1808Cooper Hewitt, Smithsonian Design Museum

Punch ladle, S A — Punch ladleS A1808Cooper Hewitt, Smithsonian Design Museum

Textile, Jean-Baptiste Huët, French, 1745–1811 — TextileJean-Baptiste Huët, French, 1745–18111808Cooper Hewitt, Smithsonian Design Museum

Board Room of the Admiralty, from "Ackermann's Repository", Thomas Rowlandson, British, 1756–1827 — Board Room of the Admiralty, from "Ackermann's Repository"Thomas Rowlandson, British, 1756–18271808Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

488

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Next

Gustave Courbet made Louis Gueymard (1822–1880) as Robert le Diable, and made these too.

Made in the nineteenth century, like Louis Gueymard (1822–1880) as Robert le Diable.

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