The Banquet of Ahasuerus and Esther, Aurelio Lomi

Seen

Not described yet.


Of

These are claims by the holder and by Wikidata, read 2026-09-17, and join nothing until an editor confirms them.

Holder's headings
Men, Women, Esther, Ahasuerus

Means

No reading yet.


Rights

Credit
Gift of Cornelius Vanderbilt, 1880
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 341990 (read 2026-09-16)
Record
https://www.metmuseum.org/art/collection/search/341990
The Banquet of Ahasuerus and Esther, Aurelio Lomi
The Banquet of Ahasuerus and Esther — Aurelio Lomi1600–17

Within fifty years of 1600–17

649
Buffe (etched with bands of trophies), Unknown
Buffe (etched with bands of trophies)Unknownc. 1550–1600Cleveland Museum of Art
Genius with Alphabet, Hans Sebald Beham, German, 1500–1550
Genius with AlphabetHans Sebald Beham, German, 1500–15501545Cooper Hewitt, Smithsonian Design Museum
Ornamental Foliage with a Mask and a Bowl of Fruit (Autre, offrant au milieu d'en bas un mascaron...) Ornamental Foliage with an Old Man and Two Children, Enea Vico, Italian, 1523–1567
Ornamental Foliage with a Mask and a Bowl of Fruit (Autre, offrant au milieu d'en bas un mascaron...) Ornamental Foliage with an Old Man and Two ChildrenEnea Vico, Italian, 1523–1567ca. 1545Cooper Hewitt, Smithsonian Design Museum
Kay Khosrow Crosses the Sea of Zareh on His Way to China, a scene from the Shahnama of Firdausi, Iran
Kay Khosrow Crosses the Sea of Zareh on His Way to China, a scene from the Shahnama of FirdausiIranSafavid dynasty (1501–1722), about 1550The Art Institute of Chicago
"Misbah the Grocer Brings the Spy Parran to his House", Folio from a Hamzanama (The Adventures of Hamza), Dasavanta
"Misbah the Grocer Brings the Spy Parran to his House", Folio from a Hamzanama (The Adventures of Hamza)Dasavantaca. 1570Metropolitan Museum of Art, New York, NY
Samson and Delilah, Hans Brosamer (German, c. 1500–1554)
Samson and DelilahHans Brosamer (German, c. 1500–1554)1545Cleveland Museum of Art
Alchemiae Gebri Arabis philosophi solertissimi, libri, cum reliquis, ut versa pagella indicabit, Ǧābir Ibn-Ḥaiyān
Alchemiae Gebri Arabis philosophi solertissimi, libri, cum reliquis, ut versa pagella indicabitǦābir Ibn-Ḥaiyān1545Stiftung der Werke von C.G.Jung, Zürich
River Landscape with Three Bare Willow Trees at Right and a Long Winding Wooden Bridge at Center Leading to a Village, Augustin Hirschvogel (German, 1503–1553)
River Landscape with Three Bare Willow Trees at Right and a Long Winding Wooden Bridge at Center Leading to a VillageAugustin Hirschvogel (German, 1503–1553)1546Cleveland Museum of Art

Also at Metropolitan Museum of Art, New York, NY

674
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Adoration of the Magi, Maarten de Vos (Flemish, 1532–1603)
Adoration of the MagiMaarten de Vos (Flemish, 1532–1603)c. 1590Cleveland Museum of Art
0.87
Ascension of the Virgin, Giovanni Bernardino Azzolino, Italian, 1572 - 1645
Ascension of the VirginGiovanni Bernardino Azzolino, Italian, 1572 - 1645early 17th centuryCooper Hewitt, Smithsonian Design Museum
0.87
The Assumption of Mary, Unknown
The Assumption of MaryUnknown1755Cooper Hewitt, Smithsonian Design Museum
0.87
Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, Rome, Szymon Czechowicz, Polish, 1689 - 1775
Saint Jadwiga kneeling before the Crucified Christ; preparatory drawing for an altarpiece at the church of San Stanislao dei Polacchi, RomeSzymon Czechowicz, Polish, 1689 - 17751724–1725Cooper Hewitt, Smithsonian Design Museum
0.86
Adoration of the Shepherds, Polidoro da Caravaggio
Adoration of the ShepherdsPolidoro da Caravaggion.d.The Art Institute of Chicago
0.85
Garden of Passion (Garten der Leidenschaft), Paul Klee
Garden of Passion (Garten der Leidenschaft)Paul Klee1913National Gallery of Art
0.84
The Large Passion:  The Crucifixion, Albrecht Dürer (German, 1471–1528)
The Large Passion: The CrucifixionAlbrecht Dürer (German, 1471–1528)c. 1497–1500Cleveland Museum of Art
0.84
Virgin and Child in the Grotto (Adoration of the Magi), Premier Engraver (Italian, active about 1500); Andrea Mantegna (Italian, about 1431–1506)
Virgin and Child in the Grotto (Adoration of the Magi)Premier Engraver (Italian, active about 1500); Andrea Mantegna (Italian, about 1431–1506)c. 1500Cleveland Museum of Art
0.84

Next

Made in the sixteenth century, like The Banquet of Ahasuerus and Esther.

0:00–0:00