Agony in the Garden — Unknown, [between 1898 and 1946]

Agony in the Garden, Unknown

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Rights

Credit: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA https://hdl.loc.gov/loc.pnp/pp.print
Licence: PDM-1.0
Evidence: loc.gov item 2019702140: rights_advisory="No known restrictions on publication. For information see: \"G. Eric and Edith Matson Photograph Collection,\" https://hdl.loc.gov/loc.pnp/res.258.mats" (read 2026-09-16)
Record: https://www.loc.gov/item/2019702140/

Also by Unknown

5442

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Within fifty years of [between 1898 and 1946]

2854

The Horses of Anahita, William Morris Hunt — The Horses of AnahitaWilliam Morris HuntModeled 1848–50, cast 1882–1910The Art Institute of Chicago

The Captive, from "Illustrated London News", H. Harrison — The Captive, from "Illustrated London News"H. HarrisonApril 15, 1848Metropolitan Museum of Art, New York, NY

Sidewall, William Woolams and Co. — SidewallWilliam Woolams and Co.ca. 1848Cooper Hewitt, Smithsonian Design Museum

Sidewall, William Woolams and Co. — SidewallWilliam Woolams and Co.1848Cooper Hewitt, Smithsonian Design Museum

Bust of Saïd Abdullah of the Darfour People, Charles Henri Joseph Cordier — Bust of Saïd Abdullah of the Darfour PeopleCharles Henri Joseph Cordier1848The Art Institute of Chicago

Basket of Flowers, Eugène Delacroix — Basket of FlowersEugène Delacroix1848–49Metropolitan Museum of Art, New York, NY

“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”, Honoré-Victorin Daumier — “- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”Honoré-Victorin Daumier1848The Art Institute of Chicago

Portrait of William Michael Rossetti, Christina Georgina Rossetti (British, 1830–1894) — Portrait of William Michael RossettiChristina Georgina Rossetti (British, 1830–1894)c. 1853Cleveland Museum of Art

Also at Library of Congress

36

The Annunciation, Schongauer, Martin, active 15th century, artist — The AnnunciationSchongauer, Martin, active 15th century, artist[14--]Library of Congress

[Adoration of the Magi] / AD [monogram]., Dürer, Albrecht, 1471-1528, artist — [Adoration of the Magi] / AD [monogram].Dürer, Albrecht, 1471-1528, artist[Nuremberg], [1503]Library of Congress

[Small Passion. The expulsion from Paradise] / AD., Dürer, Albrecht, 1471-1528, artist — [Small Passion. The expulsion from Paradise] / AD.Dürer, Albrecht, 1471-1528, artist1510.Library of Congress

[Adoration of the Magi] / AD [monogram]., Dürer, Albrecht, 1471-1528, artist — [Adoration of the Magi] / AD [monogram].Dürer, Albrecht, 1471-1528, artist[Nuremberg], [1511]Library of Congress

[Last Supper] / AD [monogram]., Dürer, Albrecht, 1471-1528, artist — [Last Supper] / AD [monogram].Dürer, Albrecht, 1471-1528, artist1523.Library of Congress

[Title page of Opera quae ad nos extant omnia, with Froben family device of caduceus clasped by two hands], Hippocrates. — [Title page of Opera quae ad nos extant omnia, with Froben family device of caduceus clasped by two hands]Hippocrates.[published 1546]Library of Congress

The adoration of the Magi / AA [monogram of Andrea Andreani] MDCV., Vicentino, Giuseppe Niccolo, approximately 1510-, artist; Parmigianino, 1503-1540.; Andreani, Andrea, approximately 1560-1623. — The adoration of the Magi / AA [monogram of Andrea Andreani] MDCV.Vicentino, Giuseppe Niccolo, approximately 1510-, artist; Parmigianino, 1503-1540.; Andreani, Andrea, approximately 1560-1623.1605.Library of Congress

[The Young St. John the Baptist], Murillo, Bartolomé Esteban, 1617-1682, artist — [The Young St. John the Baptist]Murillo, Bartolomé Esteban, 1617-1682, artist[Spain, probably Seville], [between 1650 and 1659]Library of Congress

Similar picturesFound by visual likeness

2 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Panel Emblematical of the Arts, French — Panel Emblematical of the ArtsFrench1600–1700The Art Institute of Chicago

0.83

Memorial to Sister Maria Raggi in S. Maria sopra Minerva, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — Memorial to Sister Maria Raggi in S. Maria sopra MinervaJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum

0.83

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Made in the nineteenth century, like Agony in the Garden.

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