Singing Man, Ernst Barlach (German, 1870–1938)

Seen

Not described yet.

Of

No subject recorded yet.

Means

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Rights

Credit
Hinman B. Hurlbut Collection
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 173113 (read 2026-08-27)
Record
https://clevelandart.org/art/1937.3204
Singing Man, Ernst Barlach (German, 1870–1938)
Singing Man — Ernst Barlach (German, 1870–1938)1928

Within fifty years of 1928

2536
Self-Portrait, Walter Shirlaw
Self-PortraitWalter Shirlaw1878The Art Institute of Chicago
Fishing Craft near the Cliffs at Collioure, Adolphe Appian
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Fortune: A Study for "The Discoverer", William Morris Hunt
Fortune: A Study for "The Discoverer"William Morris Hunt1878Metropolitan Museum of Art, New York, NY
Anahita: A Study for "The Flight of Night", William Morris Hunt
Anahita: A Study for "The Flight of Night"William Morris Hunt1878Metropolitan Museum of Art, New York, NY
Peacock and Dragon, William Morris
Peacock and DragonWilliam MorrisDesign 1878The Art Institute of Chicago
Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), Auguste Renoir
Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)Auguste Renoir1878Metropolitan Museum of Art, New York, NY
Peacock and Dragon , William Morris (British, 1834–1896)
Peacock and Dragon William Morris (British, 1834–1896)1878Cleveland Museum of Art
Winged Fortune, William Morris Hunt (American, 1824–1879)
Winged FortuneWilliam Morris Hunt (American, 1824–1879)1878Cleveland Museum of Art

Also at Cleveland Museum of Art

476
Relief of Nyankhnesut Seated, Unknown
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Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
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Talatat: Nefertiti Offers to the Aten, Unknown
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Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
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Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

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0.87
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0.84
Door Boss: Bust of a Satyress, Northern Italian
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0.84
Standing Shiva or Temple Guardian (Dvarapala), Unknown
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0.84
Enthroned planetary deity, Unknown
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0.84
Statuette of Osiris, Ancient Egyptian
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0.84
Dancer Looking at the Sole of her Right Foot, Edgar Degas (French, 1834–1917)
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0.83
Mourning Virgin from a Crucifixion Group, Unknown
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0.83

In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    Barlach’s home in his youth was in the north of Germany, in Mecklenburg, and there is more than a suggestion of his early environment in his work today. A darkness that hangs over his visions, a closeness to the soil, a certain heaviWOOD SCULPTURE BY ERNST BARLACH ness, these traits might be traced back to the influence of his own way of life on his mind and emotions. If he may be said to link up at all with any school of art, one would have to search rather in
    0.70

  2. The international studio · John Lane

    of life, as can be imagined. Perhaps that is one of the chief characteristics of the true Mod ernist in art: that he digs as deep down toward the heart of life as the so- called Realists ever did, and then clothes his resultant emotion in expressive forms that are the very opposite of naturalistic, that are individualistic, stripped of all accidental or inessential natural detail, shaped arbitrarily — plunging all the WOOD SCULPTURE BY ERNST BARLACH SEPTEMBER I 9 2 2 five thirty-one mceRnAcionAL raw© way through the dross
    0.68

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Made in the twentieth century, like Singing Man.

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