Conspiracy — Käthe Kollwitz (German, 1867–1945), 1895

Conspiracy, Käthe Kollwitz (German, 1867–1945)

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Credit: Gift of The Print Club of Cleveland
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 127525 (read 2026-09-01)
Record: https://clevelandart.org/art/1950.204

Also by Käthe Kollwitz (German, 1867–1945)

7

Working Woman with Blue Shawl, Käthe Kollwitz (German, 1867–1945) — Working Woman with Blue ShawlKäthe Kollwitz (German, 1867–1945)1903Cleveland Museum of Art

Sharpening the Scythe, Käthe Kollwitz (German, 1867–1945) — Sharpening the ScytheKäthe Kollwitz (German, 1867–1945)1905Cleveland Museum of Art

Self-Portrait, Käthe Kollwitz (German, 1867–1945) — Self-PortraitKäthe Kollwitz (German, 1867–1945)1915Cleveland Museum of Art

Pregnant Woman Contemplating Suicide (recto) Three Studies of a Child (verso), Käthe Kollwitz (German, 1867–1945) — Pregnant Woman Contemplating Suicide (recto) Three Studies of a Child (verso)Käthe Kollwitz (German, 1867–1945)c. 1926Cleveland Museum of Art

Pregnant Woman Contemplating Suicide (recto), Käthe Kollwitz (German, 1867–1945) — Pregnant Woman Contemplating Suicide (recto)Käthe Kollwitz (German, 1867–1945)c. 1926Cleveland Museum of Art

Proletariat: No. 1 Out of Work, Käthe Kollwitz (German, 1867–1945) — Proletariat: No. 1 Out of WorkKäthe Kollwitz (German, 1867–1945)1925Cleveland Museum of Art

Self-Portrait, Käthe Kollwitz (German, 1867–1945) — Self-PortraitKäthe Kollwitz (German, 1867–1945)1934Cleveland Museum of Art

Within fifty years of 1895

3771

Pierrot, Paul Gavarni (French, 1804–1866) — PierrotPaul Gavarni (French, 1804–1866)c. 1850–60Cleveland Museum of Art

Textile, Unknown — TextileUnknownca. 1845Cooper Hewitt, Smithsonian Design Museum

Bandbox, Unknown — BandboxUnknown1845–50Cooper Hewitt, Smithsonian Design Museum

The Study of King Louis-Philippe at Neuilly, James Roberts, British, active France, ca. 1800–1867 — The Study of King Louis-Philippe at NeuillyJames Roberts, British, active France, ca. 1800–18671845Cooper Hewitt, Smithsonian Design Museum

Studies of a Child's Left Foot, Daniel Huntington, American, 1816–1906 — Studies of a Child's Left FootDaniel Huntington, American, 1816–19061845–55Cooper Hewitt, Smithsonian Design Museum

Button, Unknown — ButtonUnknown1845–55Cooper Hewitt, Smithsonian Design Museum

Sidewall, Unknown — SidewallUnknown1845–55Cooper Hewitt, Smithsonian Design Museum

Sunset, Eugène Delacroix — SunsetEugène Delacroixca. 1850Metropolitan Museum of Art, New York, NY

Also at Cleveland Museum of Art

394

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Stele of Shemai, Unknown — Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art

Relief of Hatshepsut or Tuthmosis III, Unknown — Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Nefertiti Offers to the Aten, Unknown — Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art

Tomb Relief of the Chief Physician Amenhotep and Family, Unknown — Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art

Stele of the High Priest of Ptah, Shedsunefertem, Unknown — Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Et un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante (And another angel came out of the temple which is in heaven, and he also having a sharp sickle), Odilon Redon — Et un autre ange sortit du temple qui est au ciel, ayant lui aussi une faucille tranchante (And another angel came out of the temple which is in heaven, and he also having a sharp sickle)Odilon Redon1899National Gallery of Art

0.88

Quasimodo, Odilon Redon (French, 1840–1916) — QuasimodoOdilon Redon (French, 1840–1916)c. 1875–80Cleveland Museum of Art

0.87

Et moi, Jean, Je vis la sainte cite, la nouvelle Jerusalem, qui descendait du ciel, d'aupres de dieu (And I John saw the holy city, new Jerusalem, coming down from God out of heaven), Odilon Redon — Et moi, Jean, Je vis la sainte cite, la nouvelle Jerusalem, qui descendait du ciel, d'aupres de dieu (And I John saw the holy city, new Jerusalem, coming down from God out of heaven)Odilon Redon1899National Gallery of Art

0.87

The Appeal, Walter Shirlaw, American, b. Scotland, 1838–1909 — The AppealWalter Shirlaw, American, b. Scotland, 1838–19091875–80Cooper Hewitt, Smithsonian Design Museum

0.86

Evening Wind, Edward Hopper — Evening WindEdward Hopper1921National Gallery of Art

0.86

East Side Interior, Edward Hopper — East Side InteriorEdward Hopper1922National Gallery of Art

0.85

The Proverbs: Two Heads are Better than One or Poor Folly, Francisco de Goya (Spanish, 1746–1828) — The Proverbs: Two Heads are Better than One or Poor FollyFrancisco de Goya (Spanish, 1746–1828)1816–1823 (printed c. 1863)Cleveland Museum of Art

0.84

Et le diable qui les seduisait, fut jete dans l'etang de feu et de soufre, ou es la b ete et le faux prophete (And the devil thatdeceived them was cast into the lake of fire and brimstone, where the beast and the false prophet are), Odilon Redon — Et le diable qui les seduisait, fut jete dans l'etang de feu et de soufre, ou es la b ete et le faux prophete (And the devil thatdeceived them was cast into the lake of fire and brimstone, where the beast and the false prophet are)Odilon Redon1899National Gallery of Art

0.84

Next

Made in the nineteenth century, like Conspiracy.

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