Peter Josef-Victor de Benseval — Louis de Carmontelle, n.d.

Peter Josef-Victor de Benseval, Louis de Carmontelle

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Rights

Credit: Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection. CC0.
Licence: CC0-1.0
Evidence: api.artic.edu artworks api: is_public_domain=true on artwork 144375 (read 2026-08-27)
Record: https://www.artic.edu/artworks/144375
IIIF: manifest

Within fifty years of n.d.

2268

LE PONT ROIAL DES THUILERIES, Livens, unknown, active 1687 – 1703 — LE PONT ROIAL DES THUILERIESLivens, unknown, active 1687 – 17031687–1703Cooper Hewitt, Smithsonian Design Museum

Design in Second Livre de Tableaux de Ornemens et Rocailles (Second Book of Ornaments and Rocailles), Jacques de Lajoüe, French, 1687–1761 — Design in Second Livre de Tableaux de Ornemens et Rocailles (Second Book of Ornaments and Rocailles)Jacques de Lajoüe, French, 1687–17611687–1761Cooper Hewitt, Smithsonian Design Museum

Michaelis Maieri ... secretioris naturae secretorum scrutinium chymicum, per oculis et intellectui accurate accommodata, figuris cupro appositissime incisa, ingeniosissima emblemata, hisque confines, & ad rem egregie facientes sententias, doctissimaque item epigrammata, illustratum. Opusculum ingeniis altioribus ..., Maier, Michael — Michaelis Maieri ... secretioris naturae secretorum scrutinium chymicum, per oculis et intellectui accurate accommodata, figuris cupro appositissime incisa, ingeniosissima emblemata, hisque confines, & ad rem egregie facientes sententias, doctissimaque item epigrammata, illustratum. Opusculum ingeniis altioribus ...Maier, Michael1687Stiftung der Werke von C.G.Jung, Zürich, online

Sampler, Unknown — SamplerUnknown1688Cooper Hewitt, Smithsonian Design Museum

The Elephant, from The Berain Grotesques Series, Jean Baptiste Monnoyer — The Elephant, from The Berain Grotesques SeriesJean Baptiste Monnoyerc. 1688/1732The Art Institute of Chicago

Study of Two Putti, Francesco Solimena, Italian, 1657–1747 — Study of Two PuttiFrancesco Solimena, Italian, 1657–17471689–94Cooper Hewitt, Smithsonian Design Museum

Les vrayes centuries et propheties de maistre Michel Nostradamus ou se void representé tout ce, qui s'est passé tant en France, Espagne, Italie, Alemagne, Angleterre, qu'autres parties du monde, Nostradamus — Les vrayes centuries et propheties de maistre Michel Nostradamus ou se void representé tout ce, qui s'est passé tant en France, Espagne, Italie, Alemagne, Angleterre, qu'autres parties du mondeNostradamus1689Stiftung der Werke von C.G.Jung, Zürich

Sibylliakoi Chrēsmoi ... = : Sibyllina oracula ex veteribus codicibus emendata, ac restituta et commentariis diversorum illustrata, Opsopäus, Johannes — Sibylliakoi Chrēsmoi ... = : Sibyllina oracula ex veteribus codicibus emendata, ac restituta et commentariis diversorum illustrataOpsopäus, Johannes1689Stiftung der Werke von C.G.Jung, Zürich

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Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

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Self-Portrait (Caspar David Friedrich), Christian Friedrich — Self-Portrait (Caspar David Friedrich)Christian Friedrich1803Metropolitan Museum of Art, New York, NY

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Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

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Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing), Pieter Jansz. Quast — Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing)Pieter Jansz. Quastn.d.The Art Institute of Chicago

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Made in the eighteenth century, like Peter Josef-Victor de Benseval.

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