Table, Charles Rennie Mackintosh

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
furniture

Means

No reading yet.

Rights

Credit
Richard T. Crane, Jr. and Edward E. Ayer endowments. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 109927 (read 2026-08-27)
Record
https://www.artic.edu/artworks/109927
IIIF
manifest
Table, Charles Rennie Mackintosh
Table — Charles Rennie Mackintosh1902

Within fifty years of 1902

3516
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Button, Unknown
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Study of a Man's Hand for "Tribute Money", Daniel Huntington, American, 1816–1906
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Study of Neck for "Tribute Money", Daniel Huntington, American, 1816–1906
Study of Neck for "Tribute Money"Daniel Huntington, American, 1816–19061852Cooper Hewitt, Smithsonian Design Museum
Button, Unknown
ButtonUnknown1852–70Cooper Hewitt, Smithsonian Design Museum

Also at The Art Institute of Chicago

538
Statuette of a Female Figure, Ancient Greek
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Cauldron, China
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Altar, Ancient Greek
AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Lectures on English poets, The spirit of the age · William Hazlitt

    of the other. We apprehend, however, that our author is not one of those who draw from their own resources and accumulated feelings, or who improve with age. He belongs to a class (common in Scotland and elsewhere) who get up school-exercises on any given subject in a masterly manner at twenty, and who at forty are either where they were — or retrograde, if they are men of sense and modesty. The reason is, their vanity is weaned, after the first hey-day and animal spirits of youth are flown,
    0.70

  2. Lectures on English poets, The spirit of the age · William Hazlitt

    partisan, he is rather the lecturer than the advocate. He is able to instruct and delight an impartial and disinterested audience by the extent of his information, by his acquaintance with general principles, by the clearness and aptitude of his illustrations, by vigour and copiousness of style ; but where he has a prejudiced or unfair antagonist to contend with, he is just as likely to put weapons into his enemy's hands, as to wrest them from him, and his object seems to be rather to deserve than to obtain
    0.69

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Made in the twentieth century, like Table.

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