Date 1852–54 Country United States Medium Oil on canvas Terms oil 300015050 canvas 300014078 Dimensions 46 x 35 1/2 in. (116.8 x 90.2 cm) Collection Metropolitan Museum of Art, New York, NY 08.88 Classifications read from Wikidata, 2026-08-28
Getty ids beside the museum's words, by exact match, 2026-09-09
oil read as oil paint by Abe Garcia, 2026-09-07
Of These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
Holder's headings Fountains , Girls Wikidata depicts girl , fountain Close Girl at the Fountain — William Morris Hunt 1852–54
Also by William Morris Hunt 11
Within fifty years of 1852–54 4000 Illustrated Book of the Current Fashion Utagawa Toyokuni I1802 Metropolitan Museum of Art, New York, NY The Kōrin Picture Book Nakamura Hōchū (Japanese, d. 1819)1800s Cleveland Museum of Art Chateaux de St. Michael, Bonneville, Savoy Joseph Mallord William Turnerexhibited 1803 Yale Center for British Art Agamemnon Refuses to Liberate Chryseis; Minerva Appears to Achilles; The Abduction of Briseis: Galerie d'Iliad, Palazzo Milzetti, Faenza Felice Giani, Italian, 1758–18231802–05 Cooper Hewitt, Smithsonian Design Museum Textile Jean-Baptiste Huet, French, 1745 – 18111802 Cooper Hewitt, Smithsonian Design Museum Interior with Chinese Wallpaper Frederick Crace, English, 1779–18591802 or earlier Cooper Hewitt, Smithsonian Design Museum Sheet from a Sketchbook: Minerva Asking Jupiter for the Happiness of Ulysses or Minerva Questions Jupiter on the Destiny of Ithaca Felice Giani, Italian, 1758–18231802–05 Cooper Hewitt, Smithsonian Design Museum Achilles Drags the Body of Hector around Walls of Troy, Priam Pleads for the Body of Hector, Ceiling Designs for the Galleria di Achille, Palazzo Milzetti, Faenza, Italy Felice Giani, Italian, 1758–18231802–05 Cooper Hewitt, Smithsonian Design Museum
Also at Metropolitan Museum of Art, New York, NY 482 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY Add a connection Propose a reading
Next William Morris Hunt made Girl at the Fountain, and made these too.
Made in the nineteenth century, like Girl at the Fountain.
