Date [1827] Medium 1 print : engraving, with watercolour ; platemark 25.6 x 19.5 cm Terms watercolour 300015045 Collection Wellcome Collection Getty ids beside the museum's words, by exact match, 2026-09-09
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Close Two types of quadrant and a branch of common oak (Quercus robur) with galls. Coloured engraving by J. Pass, c. 1826. — Pass, John, active 1797-1815. [1827]
Within fifty years of [1827] 3400 United Colonies Continental Currency – Two Dollars Hall and Sellers, Philadelphia, PennsylvaniaFebruary 26, 1777 Metropolitan Museum of Art, New York, NY Decorative Monogram Designs Pierre Ranson, French, 1736–17861777–79 Cooper Hewitt, Smithsonian Design Museum Decorative Monogram Designs Pierre Ranson, French, 1736–17861777–79 Cooper Hewitt, Smithsonian Design Museum Title Page Pierre Ranson, French, 1736–17861777–79 Cooper Hewitt, Smithsonian Design Museum Decorative Monogram Designs Pierre Ranson, French, 1736–17861777–79 Cooper Hewitt, Smithsonian Design Museum Decorative Monogram Designs Pierre Ranson, French, 1736–17861777–79 Cooper Hewitt, Smithsonian Design Museum Decorative Monogram Designs Pierre Ranson, French, 1736–17861777–79 Cooper Hewitt, Smithsonian Design Museum Lettered in plate, lower left: G. P. Cauvet Del Gilles Paul Cauvet, French, 1731–17881777 Cooper Hewitt, Smithsonian Design Museum
Also at Wellcome Collection 31 An alchemist stoking a furnace, surrounded by well dressed onlookers: a banquet takes place in the background. Etching by C. Murer, ca. 1600-1614. Christoph Murer1622 Wellcome Collection Farm workers under a tree are making a basket, a plough and other agricultural implements. Engraving by Wenceslaus Hollar after F. Cleyn. Francis Cleyn; Wenceslaus Hollar; Carnarvon, Elizabeth Dormer, Countess of, 1633-1678.[1654] Wellcome Collection An anatomy theatre with statues of the anatomists Vesalius and Spigelius; a corpse on a table in the background. Engraving, 1672. Isbrand van Diemerbroeck1672 Wellcome Collection Muscles of the face and neck. Engraving, 1686. Steven Blankaart; Govert Bidloo[1686] Wellcome Collection The base of the brain with part of the medulla oblongata, the blood vessels injected with wax, and the cerebellum (Table XII, figs 1-2), after Cowper in Ridley (1695); the foetal heart, the larynx and the viscera (Table XIII), after an etching by G. Vandergucht in Cheselden (1740) Etching by I. Basire, 1743. Isaac Basire; Robert James; Humphrey Ridley; William Cheselden; Gerard Vandergucht; William Cowper[1743] Wellcome Collection A human skeleton, seen from the front, resting the bones of his left forearm on a spade handle, after Vesalius. Engraving 1769, after Prevost, 1762, after a woodcut, 1543. Jean Le Rond d'Alembert; Denis Diderot; Andreas Vesalius; Benoît-Louis Prévost; Hinde, M., active 18th century[1769] Wellcome Collection Astronomy: a large refracting telescope constructed by Howard Grubb at Rathmines, Dublin. Wood engraving by W.J. Mosses, 1881, after F.W. after G. Browning. Browning, G., active 1881; Mosses, W.J.1881 Wellcome Collection The human brain, divided according to Bernard Hollander's system of phrenology. Process print with pen and ink, c. 1902. Bernard Hollander[approximately 1902] Wellcome Collection
Similar picturesFound by visual likeness 8 pictures Other makers onlyVisual resemblances suggested by the model. A match does not establish a shared subject or historical connection.
Snowberries UnknownOctober 8, 1832 Cooper Hewitt, Smithsonian Design Museum 0.87 Print Jean-Baptiste Pillement, French, 1728–1808 Cooper Hewitt, Smithsonian Design Museum 0.86 Print Jean-Baptiste Pillement, French, 1728–1808 Cooper Hewitt, Smithsonian Design Museum 0.86 Print Jean-Baptiste Pillement, French, 1728–1808 Cooper Hewitt, Smithsonian Design Museum 0.86 Print Jean-Baptiste Pillement, French, 1728–1808 Cooper Hewitt, Smithsonian Design Museum 0.85 Print Jean-Baptiste Pillement, French, 1728–1808 Cooper Hewitt, Smithsonian Design Museum 0.85 Print Jean-Baptiste Pillement, French, 1728–1808 Cooper Hewitt, Smithsonian Design Museum 0.84 Add a connection Propose a reading
Next Made in the nineteenth century, like Two types of quadrant and a branch of common oak (Quercus robur) with galls. Coloured engraving by J. Pass, c. 1826..