LE MONASTERE ROYAL DE VAL DE GRACE, Adam Perelle, French, 1638 – 1695

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Rights

Credit
Purchased for the Museum by the Advisory Council
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1921-6-533-43 (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/36472
LE MONASTERE ROYAL DE VAL DE GRACE, Adam Perelle, French, 1638 – 1695
LE MONASTERE ROYAL DE VAL DE GRACE — Adam Perelle, French, 1638 – 16951668–1703

Also by Adam Perelle, French, 1638 – 1695

14
LA BASSIN D’ENCELADE, Adam Perelle, French, 1638 – 1695
LA BASSIN D’ENCELADEAdam Perelle, French, 1638 – 16951675–1703Cooper Hewitt, Smithsonian Design Museum
LA NOUVELLE PORTE ST. HONORÉ, Adam Perelle, French, 1638 – 1695
LA NOUVELLE PORTE ST. HONORÉAdam Perelle, French, 1638 – 16951677–1703Cooper Hewitt, Smithsonian Design Museum
LE CHASTEAU DE MEUDON, Adam Perelle, French, 1638 – 1695
LE CHASTEAU DE MEUDONAdam Perelle, French, 1638 – 16951679–1691Cooper Hewitt, Smithsonian Design Museum
MEUDON du côté du Jardin, Adam Perelle, French, 1638 – 1695
MEUDON du côté du JardinAdam Perelle, French, 1638 – 16951679–1703Cooper Hewitt, Smithsonian Design Museum
PLAN DU JARDIN POTAGER DU ROY, A VERSAILLES, Adam Perelle, French, 1638 – 1695
PLAN DU JARDIN POTAGER DU ROY, A VERSAILLESAdam Perelle, French, 1638 – 1695ca. 1683–1703Cooper Hewitt, Smithsonian Design Museum
LA COLONNADE DE VERSAILLES, Adam Perelle, French, 1638 – 1695
LA COLONNADE DE VERSAILLESAdam Perelle, French, 1638 – 16951685–1703Cooper Hewitt, Smithsonian Design Museum
LE PONT AU CHANGE, Adam Perelle, French, 1638 – 1695
LE PONT AU CHANGEAdam Perelle, French, 1638 – 1695late 17th centuryCooper Hewitt, Smithsonian Design Museum
LE PONT ST. MICHEL, Adam Perelle, French, 1638 – 1695
LE PONT ST. MICHELAdam Perelle, French, 1638 – 1695late 17th centuryCooper Hewitt, Smithsonian Design Museum

Within fifty years of 1668–1703

1137
Print, Antoni Waterloo, 1618–1677
PrintAntoni Waterloo, 1618–16771618–1677Cooper Hewitt, Smithsonian Design Museum
Portrait of Raja Jagat Singh of Nurpur (reigned 1618–46), Bichitr (Indian, active c. 1615–50)
Portrait of Raja Jagat Singh of Nurpur (reigned 1618–46)Bichitr (Indian, active c. 1615–50)probably 1619Cleveland Museum of Art
Head of One of the Three Kings: Melchior, The Assyrian King, Sir Peter Paul Rubens and Studio
Head of One of the Three Kings: Melchior, The Assyrian KingSir Peter Paul Rubens and Studioc. 1618National Gallery of Art
Kitchen Scene, Diego Velázquez
Kitchen SceneDiego Velázquez1618–20The Art Institute of Chicago
Ioannis Danielis Mylii ... Opus medico-chymicum : continens tres tractatus sive basilicas: quorum prior inscribitur basilica medica, secundus basilica chymica, tertius basilica philosophica, Mylius Johann Daniel
Ioannis Danielis Mylii ... Opus medico-chymicum : continens tres tractatus sive basilicas: quorum prior inscribitur basilica medica, secundus basilica chymica, tertius basilica philosophicaMylius Johann Daniel1618Stiftung der Werke von C.G.Jung, Zürich
Iul. Pacii Artis Lullianae emendatae libri 4 : quibus docetur methodus, per quam magna terminorum generalium, ... ad inveniendum sermonem de quacunque re, ... suppetat, Pace, Giulio
Iul. Pacii Artis Lullianae emendatae libri 4 : quibus docetur methodus, per quam magna terminorum generalium, ... ad inveniendum sermonem de quacunque re, ... suppetatPace, Giulio1618Stiftung der Werke von C.G.Jung, Zürich
Themis Aurea, das ist von den Gesetzen und Ordnungen der löblichen Fraternitet R. C. Ein aussführlicher Tractat und Bericht, darinnen gründlichen erwiesen wird, dass dieselbige Gesetz nicht allein in Warheit beständtig, sondern auch an sich selbst dem gemeinen und privat Nutzen nohtwendig, nützlich und erspriesslich seynd, Maier, Michael
Themis Aurea, das ist von den Gesetzen und Ordnungen der löblichen Fraternitet R. C. Ein aussführlicher Tractat und Bericht, darinnen gründlichen erwiesen wird, dass dieselbige Gesetz nicht allein in Warheit beständtig, sondern auch an sich selbst dem gemeinen und privat Nutzen nohtwendig, nützlich und erspriesslich seyndMaier, Michael1618Stiftung der Werke von C.G.Jung, Zürich, online
Complementum artis exorcisticae. Cui simile numquam visum est: cum litaniis, benedictionibus, & doctrinis novis, exorcismis efficacissimis, ac remediis copiosis in maleficiatis expertis, Visconti, Zaccaria
Complementum artis exorcisticae. Cui simile numquam visum est: cum litaniis, benedictionibus, & doctrinis novis, exorcismis efficacissimis, ac remediis copiosis in maleficiatis expertisVisconti, Zaccaria1618Stiftung der Werke von C.G.Jung, Zürich

Also at Cooper Hewitt, Smithsonian Design Museum

9285
Tiraz fragment, Unknown
Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

LE PALAIS ROYAL, Adam Perelle, French, 1638 – 1695
LE PALAIS ROYALAdam Perelle, French, 1638 – 1695late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.95
MEUDON du côté du Jardin, Adam Perelle, French, 1638 – 1695
MEUDON du côté du JardinAdam Perelle, French, 1638 – 16951679–1703Cooper Hewitt, Smithsonian Design Museum
0.91
LA PLACE DU PONT-NEUF, Gabriel Perelle, French, 1604–1677
LA PLACE DU PONT-NEUFGabriel Perelle, French, 1604–1677late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.91
LE CHATEAU DE VERSAILLES du côté du Jardin, Adam Perelle, French, 1638 – 1695
LE CHATEAU DE VERSAILLES du côté du JardinAdam Perelle, French, 1638 – 1695late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.91
Veüe Generale en Perspective du Chasteau Basse-court, Anti cours, Jardins, & de Richelieu, Adam Perelle, French, 1638 – 1695
Veüe Generale en Perspective du Chasteau Basse-court, Anti cours, Jardins, & de RichelieuAdam Perelle, French, 1638 – 1695late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.91
LE PONT AU CHANGE, Adam Perelle, French, 1638 – 1695
LE PONT AU CHANGEAdam Perelle, French, 1638 – 1695late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.90
LE CHASTEAU DE MEUDON, Adam Perelle, French, 1638 – 1695
LE CHASTEAU DE MEUDONAdam Perelle, French, 1638 – 16951679–1691Cooper Hewitt, Smithsonian Design Museum
0.90
LE CHATEAU DE VERSAILLES, Gabriel Perelle, French, 1604–1677
LE CHATEAU DE VERSAILLESGabriel Perelle, French, 1604–1677late 17th centuryCooper Hewitt, Smithsonian Design Museum
0.88

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Adam Perelle, French, 1638 – 1695 made LE MONASTERE ROYAL DE VAL DE GRACE, and made these too.

Made in the seventeenth century, like LE MONASTERE ROYAL DE VAL DE GRACE.

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