Drawing Studies with Woman's Face and Man Reclining, and Right Hand with Forearm, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666

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Rights

Credit
Museum purchase through gift of various donors
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1901-39-2836 (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/9500
Drawing Studies with Woman's Face and Man Reclining, and Right Hand with Forearm, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666
Drawing Studies with Woman's Face and Man Reclining, and Right Hand with Forearm — Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666late 17th century

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Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Study: the left hand of a young man holding a stick and resting on a book, Unknown
Study: the left hand of a young man holding a stick and resting on a bookUnknownlate 18th centuryCooper Hewitt, Smithsonian Design Museum
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Sketch of a Woman seen from Behind, Unknown
Sketch of a Woman seen from BehindUnknown1775–1790Cooper Hewitt, Smithsonian Design Museum
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Drawing, Raimundo de Madrazo, Spanish, 1841–1920
DrawingRaimundo de Madrazo, Spanish, 1841–1920Cooper Hewitt, Smithsonian Design Museum
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Portrait of a Cardinal, Giuseppe Passeri, Italian, 1654 - 1714
Portrait of a CardinalGiuseppe Passeri, Italian, 1654 - 1714late 18th centuryCooper Hewitt, Smithsonian Design Museum
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Design for a Sculpture of a Prophet or Evangelist, Carlo Maria Giudici, Italian, 1723 - 1804
Design for a Sculpture of a Prophet or EvangelistCarlo Maria Giudici, Italian, 1723 - 18041780–1800Cooper Hewitt, Smithsonian Design Museum
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A Standing Man, Luigi Vanvitelli, Italian, 1700 – 1773
A Standing ManLuigi Vanvitelli, Italian, 1700 – 17731700–1773Cooper Hewitt, Smithsonian Design Museum
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Man Kneeling With Jug (recto); Standing Man (verso), Nicolas Poussin
Man Kneeling With Jug (recto); Standing Man (verso)Nicolas Poussinn.d.The Art Institute of Chicago
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Page of a drawing book; Elderly man in classical attire, Unknown
Page of a drawing book; Elderly man in classical attireUnknownca. 1590Cooper Hewitt, Smithsonian Design Museum
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In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Renaissance in Italy, Volumes 6 and 7 (of 7) · John Addington Symonds

    If I could afford space for anecdotical details, the romance of Spada's life would furnish much entertaining material. But I must press on toward Guercino, who represents in a more famous personality this blending of the Bolognese and Naturalistic styles. Giovanni Francesco Barbieri got his nickname of Il Guercino, or the 'Squintling,' from an accident which distorted his right eye in babyhood. Born of poor parents, he was apprenticed to indifferent painters in Bologna at an early age, his father agreeing to pay for the boy's education by a load
    0.70

  2. Renaissance in Italy, Volumes 6 and 7 (of 7) · John Addington Symonds

    Claudio Monteverde, who may be termed the pioneer of _recitativo_, in his opera of _Orfeo_; Giacomo Carissimi, in whose _Jephtha_ the form of the Oratorio it already outlined, were the most eminent masters of the school which took its origin in the Florentine Academy of the Palazzo Vernio. To pursue the subject further, would be to transgress the chronological limits of my subject. It is enough to have attempted in this chapter to show how the destinies of Italian music were secured and its species determined in the last quarter
    0.69
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