Toast rack, Christopher Dresser

Seen

Not described yet.


Of

No subject recorded yet.


Means

No reading yet.


Rights

Credit
Purchase, Austin B. Chinn Gift, in honor of Larry and Ann Burns, 2015
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 692623 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/692623
Toast rack, Christopher Dresser
Toast rack — Christopher Dresser1878

Also by Christopher Dresser

15
Hall Stand, Christopher Dresser
Hall StandChristopher Dresserc. 1870The Art Institute of Chicago
Moon flask with crane and fish motifs, Christopher Dresser
Moon flask with crane and fish motifsChristopher Dresser1870Metropolitan Museum of Art, New York, NY
Panel, Christopher Dresser
PanelChristopher Dresser1871The Art Institute of Chicago
Spoon holder, Christopher Dresser
Spoon holderChristopher Dresserca. 1878–81Metropolitan Museum of Art, New York, NY
Teapot, Christopher Dresser
TeapotChristopher Dresserca. 1879Metropolitan Museum of Art, New York, NY
Toast Rack, Christopher Dresser
Toast RackChristopher Dresserc. 1880The Art Institute of Chicago
Pitcher, Christopher Dresser
PitcherChristopher Dresserca. 1881Metropolitan Museum of Art, New York, NY
Vase with handles, Christopher Dresser
Vase with handlesChristopher Dresserca. 1882Metropolitan Museum of Art, New York, NY

Within fifty years of 1878

4060
Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige
Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago
Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, Utagawa Hiroshige
Kanbara: Evening Snow (Kanbara, yoru no yuki), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi)," also known as the Hoeido TokaidoUtagawa Hiroshigec. 1833/34The Art Institute of Chicago
Colt Third Model Dragoon Percussion Revolver, serial no. 12406, Samuel Colt
Colt Third Model Dragoon Percussion Revolver, serial no. 12406Samuel Coltca. 1853Metropolitan Museum of Art, New York, NY
Coverlet, Unknown
CoverletUnknown1828Cooper Hewitt, Smithsonian Design Museum
Sampler, Katharina Haüsler, German
SamplerKatharina Haüsler, German1828Cooper Hewitt, Smithsonian Design Museum
Bowery Theater, New York, NY, Alexander Jackson Davis, American, 1803–1892
Bowery Theater, New York, NYAlexander Jackson Davis, American, 1803–18921828Cooper Hewitt, Smithsonian Design Museum
Costumes of Sorrento, Ischia, Procida, and Gaëta, Saverio della Gatta, Italian, 1777 - 1829
Costumes of Sorrento, Ischia, Procida, and GaëtaSaverio della Gatta, Italian, 1777 - 18291828Cooper Hewitt, Smithsonian Design Museum
Ferdinand Victor Eugène Delacroix (1798–1863), Pierre Jean David d'Angers
Ferdinand Victor Eugène Delacroix (1798–1863)Pierre Jean David d'Angers1828Metropolitan Museum of Art, New York, NY

Also at Metropolitan Museum of Art, New York, NY

515
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Next

Christopher Dresser made Toast rack, and made these too.

Made in the nineteenth century, like Toast rack.

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